Two Enduring John Ford Classic Films About The Post-Reconstruction South


There is perhaps no other film which contrasts how mainstream Hollywood looked upon vital questions of social justice, racial tolerance and Southern history from a bygone pre-politically correct cinematic era than the movie Judge Priest.

Judge Priest is a 1934 American film starring the great Will Rogers. The film was directed by the legendary John Ford, produced by Sol M. Wurtzel in association with Fox Film, and based on humorist Irving S. Cobb’s character Judge Priest. The picture is set in post-Reconstruction Kentucky and the marvelous supporting cast features Henry B. Walthall, Hattie McDaniel (who would go on to win an Academy Award for her memorable performance in Gone With The Wind), and Stepin Fetchit.

Will Rogers portrays Judge Priest. The film played a major role in earning Roger’s recognition as the number one box office star of 1934. Rogers received critical praise for his role, some noting that Rogers simply fell right into the role with his heart-warming personality. Rogers managed a balance of comedic one-liners with serious dramatics. The Tulsa Daily World summed up the famous Oklahoman’s performance: “The star’s portrayal of Judge Priest has the mark of authenticity upon it . . . the unique blending of unique talent with a rich and splendid role.”

Judge Priest is an eccentric judge in a small Kentucky town. Although his wife died 19 years before the film takes place, he shows no interest in remarrying. He sometimes stumbles his words, but he shows his wit throughout the film. The Judge, despite all his talk of being a Confederate veteran, finds his best friend to be the black Jeff Poindexter, portrayed by Stepin Fetchit. Judge Priest has pride in his tolerance for others. Walthall’s powerful court-room speech at the conclusion is not to be missed.

Rogers was killed in a plane crash on August 15, 1935, just a year after the release of Judge Priest.

As Wikipedia notes:

The Sun Shines Bright is a 1953 American drama film directed by John Ford, based on material taken from a series of Irvin S. Cobb “Judge Priest” short stories featured in The Saturday Evening Post in the 1910s, specifically “The Sun Shines Bright”, “The Mob from Massac”, and “The Lord Provides”.

Ford had adapted some of the same material in 1934 in his film Judge Priest. That film originally had a scene depicting an attempted lynching of Poindexter (and Priest’s condemnation of the act), but it was cut by 20th Century Fox. The omission was one of the reasons Ford loosely reshaped the Cobb stories two decades later as The Sun Shines Bright for Republic Pictures, this time including Judge Priest’s defusing of the mob determined to lynch a young black character named Woodford. In both films, Stepin Fetchit plays the part of Judge Priest’s assistant, Jeff Poindexter. Ford often cited The Sun Shines Bright as his favorite among all his films, and in later years, it was championed by critics such as Jonathan Rosenbaum and Dave Kehr, who called it “a masterpiece.

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5:42 am on February 15, 2022