The New Weimar?

Living as we are under the collective inferiority of the West, and humbled as we are when faced with the cultural achievements of tribal Africans, primitive Amazonian tribesmen, Saudi Arabian witch doctors, and savages in general, I was relieved to see that Hollywood is hard at work in maintaining the myth that everything that the West has achieved since the Greeks was due to the white man’s cruelty and ability to steal from the Dark Continent.

The Bible in 52 Weeks ... Laxton, Josh Best Price: $5.63 Buy New $12.49 (as of 07:30 UTC - Details) Now, please don’t get me wrong. I don’t watch the drivel that Tinseltown puts out nowadays, but a bad case of bronchitis had me in bed high up in the Alps, with a cough of a Volga boatman and a high temperature. There was nothing to do but watch TV, as I could not focus on the written word. And what I saw only made my temperature go up—actually, it made me so angry I got better. I will not mention the serial except that it’s been very successful. It takes place out west and the cowboys are all bad, bullies, criminals, sadists, and worst of all, white. The few black cowhands are wise, introspective, and very perceptive with their advice. The victims are the red Indians, sorry, Native tribesmen. One pretty Indian girl teaches history class, and her opening remarks to a new class are what a major criminal Christopher Columbus was. But the best part is the utter awfulness of the whites. They’re greedy, cowardly, murderous, bullying, dishonest, and I’m talking only of the men. The white women are drunks, sleep with everything that walks but the horses, and are very greedy and vengeful. My only thought was thank God I’m watching this in my own bed. In a movie house I’d probably be lynched once the lights went on. Mind you, I only watched less than a segment, and I’m told the characters improve later on.

Hollywood is at present doing the work UFA films did for Hitler in the ’30s. Back then, in film after film, the “International Jew” was portrayed as conspiring against Western interests, institutions, and Christian mores. By the time war broke out, there were few Germans who weren’t convinced that the Jews had conspired against them. Now our Jews in Hollywood are doing something along the same lines against the white man, white males having replaced on screen at least the “International Jew” as figures of hate.

Is America going the way of Weimar? Our Jews in Hollywood are not Hitlers, some of them are even nice guys. But they lack talent and courage, they love money, and the easiest way to get it is to follow the woke agenda, it’s as simple as that. Their grandfathers were Mittel-European Jews, uneducated and unsophisticated, but they learned quickly, could spot talent, used it well, and, when war broke out, turned Hollywood into a PR firm for Uncle Sam. These new Harvard guys are smart, well educated, but greedy, cowardly, and willing to debase themselves for woke ideology.

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