Instant Death
by
Charley
Reese
by Charley Reese
DIGG THIS
Dec. 7, 1941,
and Aug. 6, 1945 and what happened on those dates
are fading from the world's memory as the generations who experienced
those events die off.
Those two
dates mark the beginning and the beginning of the end of World War
II in the Pacific. They were the dates when the Japanese attacked
Pearl Harbor and when the United States dropped the atomic bomb
on Hiroshima. The Japanese attack, aimed at America's military assets,
killed less than 3,000. Nobody knows for sure how many died in Hiroshima.
Many of the victims were vaporized, but the more-or-less official
estimate is 140,000 in the initial blast.
It is always
pointless to argue about an event that has already happened. To
his credit, documentary filmmaker Steven Okazaki, an American, does
not do that in his excellent production White
Light/Black Rain: The Destruction of Hiroshima and Nagasaki,
which just debuted on HBO.
Instead, he
simply tells the story of what happened through interviews with
survivors, most of whom were children or teenagers at the time.
The survivors at least as far as we can tell from the portions
of their interviews shown demonstrate little or no bitterness
toward Americans. Some did express anger toward the Japanese government,
which not only got them into a war they couldn't win but initially,
at least, did nothing to help the survivors.
One thing
that comes across, especially in the interviews with Japanese teens
at the beginning of the documentary, is how similar people are.
The contemporary Japanese dressed pretty much as American
teens dress, and just as giggly and blank-minded as far as history
is concerned didn't have a clue as to the significance of
Aug. 6, 1945.
They reminded
me of a baby sitter I once employed who had brought her history
book with her. I asked her if she liked history. "It's OK,"
she said in a bored voice, "except for that real old stuff
like World War II." She said that in 1970, only 25 years after
the end of the war. Truly, the world starts over with each birth.
It's probably a good thing that we have no genetic memories of the
past before our birth, since so many would be nightmarish.
The documentary
certainly is worth seeing, if only to remind ourselves that nuclear
weapons are too destructive ever to be used again by sane people.
The bombs dropped in 1945 are mere hand grenades compared with the
power of nuclear warheads sitting on top of missiles around the
world today. Looking at films of the nuclear fireball gives me,
at least, the impression of looking at pure evil. It's like the
universe is sneering at us that we are nothing and can vanish in
seconds.
One of the
Americans interviewed who had participated in the raid on Hiroshima
said that people who say we ought to nuke this or that country "are
stupid jerks who've never seen a nuclear bomb. If they had, they
wouldn't say that."
Only brief
segments of the film are gruesome, but I wouldn't let children see
it. Images stay in the human brain much longer than words. It's
wrong to pollute a child's mind with images of horror and death.
That goes for make-believe images, too.
The
saddest part is that the documentary shows that wars are started
by governments without the people's permission, and the people follow
their respective governments blindly, no matter what the consequences.
That's always been true and always will be. Anti-war movements are
always futile, and the phrase "never again" is just as
futile. As a general who once commanded our nuclear forces told
me over lunch some years ago, "I wouldn't give you two cents
for the future."
August
14, 2007
Charley
Reese [send
him mail] has been a journalist for 49 years.
©
2007 by King Features Syndicate, Inc.
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