Why
Work in France
by
Bill Bonner
by Bill Bonner
DIGG THIS
All the ancient
literature has much the same theme: a great man is ruined by his
own success and his own vanity. He begins to believe that he's invincible.
And then, he over-reaches, tempting the gods to put him in his place.
That's why
humility is such an important quality. A truly humble person is
less prone to the kind of exuberant excesses that plague presidents,
company executives, entrepreneurs, homeland security drudges, teenagers,
emperors, investors and celebrities.
That is why
we work in France. It humbles us.
We were reminded
of this great benefit yesterday, at a meeting. Three lawyers, one
architect, one insurance agent and two administrators sat down with
approximately a three-foot stack of documents to try to figure out
what went wrong with one of your author's biggest investments
a seminar center in France.
The lead lawyer
was a mature man with a self-confident air. He was enjoying himself,
partly because he was getting paid $400 a hour and partly because
it was clearly entertaining for him to see a foreigner an American
to boot who had let himself be ripped off in France.
"Ha ha...I
guess you thought you could sign the contract and that was all there
was to it...ha ha... But didn't it ever occur to you to check this
architect's documentation...or to make sure that he had gotten the
proper permissions from the authorities...? You didn't even check
his invoices. I wish we could all be so lucky as to have American
clients. They'll believe anything."
The renovation
project began well enough. The architect in question was the friend
of a friend. He spoke well. He had an answer for everything. He
seemed to have good taste. And he seemed to know what he was doing.
Visiting the
job site, we saw nothing wrong. It was dusty...walls were broken
down and rebuilt...rotten beams were taken out...concrete was poured.
"When you get
into an old building, you never know what you are going to find...and
you always find a situation that is worse than you imagined," said
the most senior of the lawyers. "And then, too, you never can tell
if the people working on it know what they are doing until you get
to the end and turn on the water...and plug in a hairdryer."
When we visited
the project, there were workers putting in pipes every which way.
Wires ran hither and thither. How were we to know they were running
the wrong way?
The architect
attending the meeting was the not the first architect on the job.
Nor was he the second. Nor the third. He was the fourth. He seemed
honest, competent, direct just like the three before him. He dressed
in a conventional way with an open rust-colored shirt. The only
thing that gave away an artistic streak was his eyeglasses, which
were rectangular and a turquoise color.
He, too, seemed
to be having fun. Not merely because he had just signed a contract
which would bring him thousands of dollars for doing what the previous
three architects had failed to do, but also because it is always
fun when you get paid to criticize others' work.
"The electrical
system can hardly be called a system," he explained. "We tried to
make sense of it, but it is incomprehensible. Now, you'd think an
electrician would instinctively connect wires together. It's not
rocket science. But there are a lot of wires that aren't connected.
Not to anything. And half the outlets don't work. The fire alarm
system doesn't work either. Lights go on for no apparent reason
and off for no apparent reason. My colleagues and I were frankly
baffled.
"You could,
of course, go to the electrical contractor and demand that he correct
his work. But I wouldn't do that if I were you. He plainly had no
idea what he was doing.
"You are aware,
of course, that this is deemed, by law, a public building," continued
our fourth architect, trying to suppress a smile. "So you are required
to have exit signs and the like...not to mention a fire alarm. Well,
your electrician put the signs up...but in the wrong place. He has
exit signs leading into the kitchen...where the fire is likely to
be."
It was a long
day. A stupidity followed an incompetence followed a fraud. As each
one came to light the lawyers' and architect's eyes twinkled with
contentment. They had before them a fool...(your humble author)
and they were happy to help prove it.
"You paid to
have the walls of the bathrooms painted," continued the fourth architect.
"But the bathroom walls are covered with tile. They are not painted.
So, too, you were charged for painting some of the walls that have
wallpaper on them. You also seem to have paid one contractor who
did nothing at all. In fact, there is no record of his ever showing
up on the job site."
"I've seen
a lot of this kind of thing," said the lead lawyer. "I've done a
lot of work in Africa. There, you take it for granted that you are
going to get ripped off. It's just their way of doing business.
You build it into your budgets...it's not a big deal. But even in
Africa there are acceptable limits...a code of behavior. You do
a project and you expect the local architects and contractors to
steal about 15% of the project costs...people get mad if they steal
more than that.
"You know,
I had a client who told me a story. There was an African politician
who came to Paris to visit a French politician. He was invited to
the French politicians house. The house was beautiful...furnished
with fine antiques...and valuable paintings. So the African asks:
'How can you afford all these luxuries on your salary?'
"The
Frenchman points out the window. 'I'll let you in on a little secret.
See that bridge. I got that bridge built. And I put 10% of the contract
costs in my pocket.'
"A few years
later, the Frenchman goes to Africa and visits the African politician.
He discovers that the African's apartment is richly decorated too...with
antiques from Paris...and paintings that looked like they came from
the Louvre. So he asks: 'How can you afford all this on your salary?'
"'I
learned it from you,' the African replied. 'Look out the window.
See that bridge?'
"'No...I don't
see any bridge,' says the Frenchman.
"'No, you don't.
Because I took 100% of the contract costs.'
"So you see,"
the lawyer continued, "we don't mind a little bit of corruption.
But when people get carried away, you end up with nothing. And it
looks to me as though your first architect got a little carried
away."
May
23, 2007
Bill
Bonner [send
him mail] is the author, with Addison Wiggin, of Financial
Reckoning Day: Surviving the Soft Depression of The 21st
Century and
Empire of Debt: The Rise Of An Epic Financial Crisis.
Copyright
© 2007 Bill Bonner
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