Darkness Over All: John Robison and the Birth of the Illuminati Conspiracy

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Conspiracy theories of a secretive power elite seeking global domination have long held a place in the modern imagination. Mike Jay explores the idea’s beginnings in the writings of John Robison, a Scottish scientist who maintained that the French revolution was the work of a covert Masonic cell known as the Illuminati.

masonic french revolution

Representation of the Declaration of the Rights of Man and of the Citizen in 1789 painted by Jean-Jacques-François Le Barbier in 1789. His depiction includes the “eye of providence” and also the red Phrygian cap, two symbols associated with freemasonry.

At the beginning of 1797, John Robison was a man with a solid and long-established reputation in the British scientific establishment. He had been Professor of Natural Philosophy at Edinburgh University for over twenty years, an authority on mathematics and optics; he had recently been appointed senior scientific contributor on the third edition of the Encyclopaedia Britannica, to which he would contribute over a thousand pages of articles. Yet by the end of the year his professional reputation had been eclipsed by a sensational book that vastly outsold anything he had previously written, and whose shockwaves would continue to reverberate long after his scientific work had been forgotten. Its title was Proofs of a Conspiracy against all the Religions and Governments of Europe, and it launched on the English-speaking public the enduring theory that a vast conspiracy, masterminded by a covert Masonic cell known as the Illuminati, was in the process of subverting all the cherished institutions of the civilised world into instruments of its secret and godless plan: the tyranny of the masses under the invisible control of unknown superiors, and a new era of ‘darkness over all’.

The first edition of Proofs of a Conspiracy sold out within days, and within a year it had been republished many times, not only in Edinburgh but in London, Dublin and New York. Robison had hit a nerve by offering an answer to the great questions of the day: what had caused the French Revolution, and what had driven its bloody and tumultuous progress? From his vantage point in Edinburgh he had, along with millions of others, followed with horror the reports of France dismembering its monarchy, dispossessing its church and transforming its downtrodden and brutalised population into the most ruthless fighting force Europe had ever seen – and now, under the rising star of the young general Napoleon Bonaparte, attempting to export the carnage and destruction to its surrounding monarchies, not least Britain itself. But Robison believed that he alone had identified the hidden hand responsible for the apparently senseless eruption of terror and war that now appeared to be consuming the world.

La Liberté ou la Mort. The Genius of France between Liberty and Death

La Liberté ou la Mort (1795) by Jean-Baptiste Regnault. Note the red Phyrigian cap, a symbol of the French revolution also associated by some with Freemasonry – Source.

Many had located the roots of the revolution in the ideas of Enlightenment figures such as Voltaire, Diderot and Condorcet, who had exalted reason and progress over authority and tradition; but none of these mostly aristocratic philosophes had advocated a revolution of the masses, and indeed several of them had ended their lives on the guillotine. In the early 1790s it had been possible to believe that the power-hungry lawyers and journalists of the Jacobin Club had whipped up the Paris mob into their destructive frenzy for their own ends, but by 1794 Danton, Robespierre and the rest of the Jacobin leaders had followed their victims to the guillotine: how could they have been the puppet-masters when they had had their own strings so brutally cut? What Robison was proposing in the meticulously documented pages of Proofs of a Conspiracy was that all these agents of revolution had been pawns in a much bigger game, with ambitions that were only just beginning to make themselves visible.

The French Revolution, like all convulsive world events before and since, had been full of conspiracies, bred by the speed of events, the panic of those caught up in them and the limited information available to them as they unfolded. In Britain, enemies of the revolution such as Edmund Burke had claimed from the beginning that ‘already confederacies and correspondences of the most extraordinary nature are forming in several countries’, and by 1797 most believed – and with good reason – that secret societies in Ireland were plotting with Napoleon to overthrow the British government and invade the mainland. The power of Robison’s revelation was that it identified within the buzzing confusion of conspiracies a single protagonist, a single ideology and a single overarching plot that crystallised the chaos into an epic struggle between good and evil, whose outcome would define the future of world politics.

adam weishaupt

Portrait of Adam Weishaupt featured in Cagliostro: the splendour and misery of a master of magic (1910) by W.R.H. Trowbridge – Source.

Robison’s vast conspiracy needed an imposing figurehead, a role for which Adam Weishaupt, the founder of the Bavarian Order of the Illuminati, seemed on the surface to be an unpromising candidate. Obsessive and domineering, Weishaupt had from the beginning found difficulty in attracting members to his secret society, where they were expected to adopt mystical pseudonyms chosen by him, jump through the hoops of his strict initiatic grades – Novice and Minerval, Illuminatus Minor and Major, Dirigens and Magus – and take up subservient roles in his grandiose but unfocused crusade for world domination. After 1784, when the Order had been exposed and banned by the Elector of Bavaria, Weishaupt had exiled himself to Gotha in central Germany, since when he appeared to have done little beyond producing a series of morose and self-justifying memoirs of his adventures.

Yet there was much in the career of the Illuminati that offered, to Robison at least, a view of a far more expansive and sinister scheme. Weishaupt’s messianic sense of his own mission and the Order’s extravagant structures hinted at a far larger organisation than that which had been exposed, and its suppression had generated a furore quite out of proportion to the danger it represented. It had become a lightning-rod for the deep anxieties of church and monarchy about the agenda of reason and progress that was being seeded across Europe by the confident vanguard of philosophers and scientists. The Illuminati furore had generated hundreds of screeds, polemics, handbills and scandal sheets, all competing to file the most damning charges of godless infamy. It was these sources that Robison had spent years perusing intently for anecdotes and allegations to mould into the proofs of the conspiracy that he now presented. To the dispassionate observer, Weishaupt and his Illuminati might have offered an eloquent metaphor for the forces that were reconfiguring Europe, but for Robison they had become the literal cause: the centre, thus far invisible, of the web of events that had consumed the world.

Minerva Owl Bavarian Illuminati

The original insignia of the Bavarian Illuminati: the owl of Minerva, symbolising wisdom, on top of an opened book – Source.

Robison may have been a distant spectator of the Illuminati furore, but he was no dispassionate observer. While Proofs of a Conspiracy came as a surprise (and in most cases an embarrassment) to his friends and scientific colleagues, there were many reasons why the Illuminati had presented itself to him in this form. His discovery resolved long-standing suspicions and conflicts in both his private and professional life, and chimed in particular with his own curious adventures in freemasonry.

By 1797 Robison’s character had taken a grave and saturnine turn, far removed from the cheerful and convivial temperament of his youth. In 1785 he had begun to suffer from a mysterious medical condition, a severe and painful spasm of the groin: it seemed to emanate from beneath his testicles, but its precise origin baffled the most distinguished doctors of Edinburgh and London. Racked with pain and frequently bed-ridden, by the late 1790s he had become a withdrawn and isolated figure; he was using opium frequently, a regime which according to some of his acquaintances made him vulnerable to melancholy, confusion and paranoia. As the successive crises of the French Revolution shook Britain, the panic was particularly intense in Scotland, where ministers and judges whipped up constant rumours of fifth columnists and secret Jacobin cells. Tormented, heavily medicated and assailed by terrifying news from the outside world, Robison had all too many dark threads to weave into the plot that came to consume him.

john robison

Portrait of John Robison (1798) painted by Henry Raeburn – Source.

Politics had also thrown a long shadow across his professional life. The physical sciences were in the grip of another French revolution, led by Antoine Lavoisier. During the 1780s Lavoisier had overthrown the chemistry of the previous century with his discovery of oxygen, from which he had been able to establish new theories of combustion and to begin the process of reducing all material substances to a basic table of elements. Lavoisier’s revolution had split British chemistry: some recognised that his technically brilliant experiments had transformed the science of matter, but for others his new and foreign terminology was, like the French metric system and the revolutionary Year Zero, an arrogant attempt to wipe away the accumulated wisdom of the ages and to eliminate the role of God. The old system of chemistry, with its mysterious forms of energy and its languages of essences and principles, had readily contained the idea of a life-force and the mysterious breath of the divine; but in Lavoisier’s cold new world, matter was reduced to inert building-blocks manipulated by the measurable forces of pressure and temperature.

Robison had never accepted the French theories, and by 1797 had worked the new chemistry deep into his Illuminatist plot. For him, Lavoisier – along with Britain’s most famous experimental chemist, the dissenting minister Joseph Priestley – was a master Illuminist, working in concert with infiltrated Masonic lodges to spread the doctrine of materialism that would underlie the new atheist world order. Madame Lavoisier’s famous salons, at which the leading Continental philosophes met, were now revealed by Robison to have been the venues for sacreligious rites where the hostess, dressed in the ceremonial robes of an occult priestess, ritually burned the texts of the old chemistry. Implausible though this image might seem, it was of a piece with other proofs that Robison had assembled in his book – for example, the anonymous German pamphlet that claimed that, at the great philosopher Baron d’Holbach’s salons, the brains of living children bought from poor parents were dissected in an attempt to isolate their life-force.

French masonic ritual

Initiation of an apprentice Freemason around 1800, an engraving (ca. 1805) based on that by Gabanon on the same subject dated 1745 – Source.

The Illuminati had infiltrated Robison’s professional life, but his most personal connection with their conspiracy came through freemasonry itself. He had been a member of the Scottish Rite for decades without ever regarding its lodges as more than ‘a pretext for passing an hour or two in a fort of decent conviviality, not altogether void of some rational occupation’; but his career had frequently taken him abroad, where he had been shocked to discover that not all masonic orders were so innocent. In 1770 he had spent a year at Catherine’s court in St. Petersburg, learning Russian and lecturing on navigation; during the course of his travels he had met with other masons and visited lodges in France, Belguim, Germany and Russia. What he saw had shocked him: by comparison with the Scottish Rite, the Continental lodges were ‘schools of irreligion and licentiousness’. Their members seemed to him consumed by ‘zeal and fanaticism’, their religious views ‘much disturbed by the mystical whims of J. Behmen [Jacob Boehme] and Swedenborg – by the fanatical and knavish doctrines of the modern Rosycrucians – by Magicians – Magnetisers – Exorcists, &c.’. Now, thirty years later, as he recalled the occultism and freethinking to which he had been briefly but unforgettably exposed, he had no doubt as to the source of the destruction that had engulfed the Continent.

Although Proofs of a Conspiracy became a handsome bestseller, the Illuminati conspiracy never gripped the imagination of the British political class as it did in mainland Europe. Once the crisis of the French revolution was past, some conservative voices would attribute this to superior British common sense, but in truth Britain at that time had more serious threats and conspiracies to contend with. Tom Paine’s Rights of Man, a far more incendiary and radicalising work than any of the Bavarian Illuminati’s ‘secret texts’, had sold over two hundred thousand copies in its cheap sixpenny edition, a number that far exceeded what until that point had been considered the entire book-buying public. With the British fleet convulsed by mutinies and the government struggling to contain mass protests and riots, it was hardly surprising that the doings of a long-disbanded Bavarian lodge seemed less than a pressing concern.

george washington as freemason

Detail from “Washington As Master Mason”, a print showing U.S. President George Washington presiding over a meeting of the Lodge of the Alexandria, Virginia Masonic Lodge, by James Fuller Queen (1870) – Source.

Robison’s book, however, had a profound and enduring impact in the United States of America. Here, the polarised forces of revolution and reaction that had swept Europe were playing out in a form that threatened to split the Founding Fathers and destroy their fledgling Constitution. While the likes of Thomas Jefferson saw themselves as cousins of a French republic that had thrown off the shackles of monarchy and with whom they traded amid British naval blockades, other founders such as Alexander Hamilton, whose Federalist party favoured a powerful state geared towards protecting the interests of its wealthy citizens, feared the infiltration of the radical ideals of the French revolution. In an overheated political milieu where accusations of treason were hurled from both sides, Proofs of a Conspiracy was seized on eagerly by the Federalists as evidence of the hidden agenda that lurked behind fine-sounding slogans such as democracy, the abolition of slavery and the rights of man. Robison’s words were repeated endlessly in New England pulpits and pamphlets through 1798 and 1799, and Jefferson was publicly accused of being a member of Weishaupt’s Order.

But such charges were never substantiated; the ‘Illuminati Scare’ petered out and the Federalists lost power, never to regain it. Yet the episode had touched a nerve deep within the American political mindset, and it has been woven into many subsequent paranoias and panics. Robison’s ideas would continue to be rediscovered and reinvented, and to influence modern politics in curious ways. The doyenne of modern conspiracy theory, Nesta Webster, swallowed his theory whole but then came to believe the Illuminati were a smokescreen: the true conspirators were the ‘Jewish peril’ whose agenda had, she believed, been accurately exposed in the Protocols of the Elders of Zion. Although Webster later consigned herself to the margins by joining the British Union of Fascists, her support at the time was more broadly based, and she even won admiring citations in the journalism of Winston Churchill. ‘The conspiracy against civilization dates from the days of Weishaupt’, Churchill wrote for the Sunday Herald in 1920; ‘as a modern historian Mrs. Webster has so ably shown, it played a recognisable role in the French revolution’. Many on the isolationist right continue to believe Robison’s theory to this day: the official John Birch Society line, for example, remains that Weishaupt’s Illuminati ‘was the ancestor of the Communist movement and the model for modern subversive conspiratorial movements’.

Version of the reverse of the Great Seal of the United States printed in a 1909 U.S. Government booklet on the Great Seal.

A version of the reverse of the Great Seal of the United States printed in a 1909 U.S. Government booklet on the Great Seal. According to Henry A. Wallace, this was the version of the Great Seal reverse which caught his eye, causing him to suggest to President Franklin Roosevelt to put the design on a coin, at which point Roosevelt decided to put it on the back of the dollar bill – Source.

After Robison’s death following a final medical crisis in 1805 his Edinburgh colleague, the pioneering geologist John Playfair, wrote a respectful memoir that focused on his scientific achievements but was unable to avoid mention of the work for which he was best remembered. ‘The alarm excited by the French revolution’, Playfair suggested tactfully, ‘produced in Mr. Robison a degree of credulity which was not natural to him’. It was a credulity, he stressed, that had been shared by many who were unable to believe that the revolution had been a genuine mass movement reacting to the oppression of a tyrannical regime; they had clung to their belief that it must have been orchestrated by a small cell of fanatics, and that the lack of evidence for any such conspiracy was itself evidence for the conspirators’ cunning in concealing their operations from public view.

There was much plain sense in Playfair’s analysis, and it could equally be applied to many who subsequently came to believe in Robison’s theories, and who continue to believe them today. But if the shock of the modern world erupting into existence before his eyes had unbalanced Robison’s judgement, it had also given him a vivid, even visionary perspective on the new dangers that might result from wresting politics away from church and monarchy and placing it in the hands of the people. Forged in the same crucible as every modern political ideology from conservatism to nihilism, anarchy to military dictatorship, the Illuminati conspiracy has become a modern myth: not merely in the dismissive sense that its factual basis evaporates under scrutiny, but as a shapeshifting narrative capable of adapting its meaning to accommodate new and unforeseen scenarios. Since the 1970s, it has been gleefully satirised as a baroque folly of conservative thought by counterculture figures from Robert Anton Wilson onwards, yet this has only increased its fame and mystique: Dan Brown’s Angels and Demons demonstrates that today’s readers will still lap up Robison’s unreconstructed version of the story in their millions. In popular culture and old-time religion, satire and nationalist politics, the Illuminati conspiracy still resonates with its warning that the light of reason has its shadows, and even the most enlightened democracy can be manipulated by hidden hands.

Reprinted from The Public Domain Review.

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