The
Genius of Rube Goldberg
by
Jeffrey A. Tucker
Everyone
has heard something described as a Rube Goldberg machine, and most
of us know what this means: some crazy convoluted way of accomplishing
a task that would otherwise be quite simple. That's how Webster's
defines it. The phase most often applies to overly complicated software
but it was also applied to the Clinton health care plan and might
also be applied to emerging Social Security reform.
How
fascinating, then, to discover the man and legend behind, and to
reflect on his remarkable turn of mind and the light it sheds on
the world around us. Reuben Goldberg, born 1883 in San Francisco,
the son of Hannah and Max Goldberg who had immigrated from Prussia
and lived in New York before moving West.
Rube
studied to be an engineer and did that for a while until he could
convince his father that his avocation as a cartoonist should be
his profession. Rube worked in San Francisco and later in New York,
after a long and wonderful life as a genius cartoonist but also
a writer, actor, and sculptor. Even aside from his contraptions,
he was popular for his long-running series called "Foolish Questions,"
which was turned into a board game. He made animated cartoons and
wrote short stories too. He received the Pulitzer Prize and died
in 1970.
But
of course it was his cartoon inventions that made his name. A book
called Inventions
(NY: Simon Schuster, 2000) collects his most famous material,
mostly consisting of hilarious and overcomplicated machinery to
accomplish simple tasks like turning a page of music or emptying
out sand from shoes or closing a window and swatting a fly or prevent
a dinner plate from sliding in the dining room of a rocking boat.
In a goofy sort of way, his works celebrates the inventor and innovator,
and the problem-solving spirit. All of it was justly popular during
the so-called Age of Invention, and seems to have experienced a
revival today.
But
there's an edge here too: Goldberg's work ridicules intellectualism
unhinged from the market test. As Rothbard wrote about entrepreneurship,
and Stephen Carson recently
elaborated, it is not enough merely to conjure up an idea; the idea
must be backed by real property put at risk in the real world and
subjected to the market test. Innovation alone does not make for
progress. It is innovation within the framework of a market economy
that serves society.
The
sheer goofy genius of Goldberg's work also illustrates a Hayekian
theme of the error of rationalism detached from reality. Society
works not because a single mastermind has preset all the moving
parts. It works because people find ways to cooperate through private
actions that follow signs and rules that cannot be anticipated but
can nonetheless be coordinated. Society and its workings cannot
be mapped out and the attempt to do so can create frameable images
but not civilizations.
Each
Goldberg contraption takes a few minutes to figure out, as the cartoonist
explains to the reader the workings of each part. There's always
at least one implausible step that will guarantee failure in real
life, but that's also the fun. Sometimes it involves supposing that
people will do something they are not likely to do an Arabia
dwarf acrobat reaching for a trapeze the right moment, for example.
Sometimes it involves a problem of timing thinking here of
his fire extinguisher that depends at a crucial point on a frog's
leg motions moving a knife that cuts a chain!
Sometimes
the whole thing is obviously nuts from the very outset. A good example
is "The Latest Simple Flyswatter"
Carbolic
acid (A drops on string (B causing it to break and release elastic
of bean shooter (C which projects ball (D) into bunch of garlic
(E) causing it to fall into syrup can (F) and splash syrup violently
against side wall. Fly (G) buzzes with glee and goes for syrup,
his favorite dish. Butler-dog (H) mistakes hum of fly's wings
for door buzzer and runs to meet visitor, pulling rope (I) which
turns stop-go signal (J) and causes baseball bat (K) to sock fly
who falls to floor unconscious. As fly drops to floor pet trout
(L) jumps for him, misses, and lands in net (M). Weight of fish
forces shoe (N) down on fallen fly and puts him out of the running
for all time.

What
surprised me though it should not have was to discover
that Mr. Goldberg seems to have been very solid on politics too.
All the drawings in the politics section show government as the
most complicated and unworkable machinery of all, that nonetheless
does accomplish its primary goal of giving some people power at
others' expense.
This
drawing is perhaps the best visual description of central planning
I've seen.

Goldberg's
art exhibits a disdain for supposed experts who have an inflated
sense of their own mastery. The class that presumes to rob people
for their own good comes under special scrutiny. Thus did Goldberg
not spare the state and its minions. Taxes in particular, low by
the standards of our own time, came in for hard knocks under his
pen. Here, laughing gas is applied in order to keep the working
from noticing how much the government is taking from him.

How
charming to discover that the web has an official Rube
Goldberg website, and that there is an annual Robe Goldberg
Machine Contest at Purdue and also one for high school students.
You don't need to submit or attend to enjoy Goldberg's genius. The
book Inventions will keep you busy for months or you can examine
many machines at RubeGoldberg.com.
April
28, 2005
Jeffrey
Tucker [send him mail]
is editorial vice president of www.Mises.org.
Copyright
© 2005 LewRockwell.com
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