The
Real Battle Over The Passion
by
Christopher Manion
by Christopher Manion
Mel
Gibson is famous for war movies, but "The Passion of the Christ"
was supposed to be something completely different. Little did he
know that it would launch him into the middle of a battle that has
been going on for a long time: the battle for the Holocaust.
A
central feature of this battle is definitions. The modern mind has
for fifty years considered the Holocaust to mean an unspeakable
evil, the murder of 6 million Jews in Nazi death camps. Indeed,
Hitler is the historical locus of evil in the modern world.
The
traditional Christian view of the Holocaust, a concept that gets
precious little notice these days, is much older and more critical
to salvation history. Christians, especially Catholics, view Christ’s
Passion and death on the Cross as the "perfect Holocaust"
– Christ is the unblemished victim acceptable to God who saves sinners
from eternal damnation.
The
two views appear to be at loggerheads, and are virtually irreconcilable
in their present form. Thus, I believe, the battle.
I
first tripped over the problem as a member of the Religion Department
of Boston University about a dozen years ago. I was the faculty
advisor to the student pro-life group. On the anniversary of Roe
v. Wade, the student newspaper published my letter regarding the
"holocaust of 30 million unborn children" since 1973.
A colleague of Elie Wiesel, who had the office next to mine (but
whom I had never met) in the theology building, then wrote a response.
The gentleman reprimanded me for using the term "Holocaust"
to refer to anything other than the six million Jews who died in
Nazi death camps.
The
student newspaper then kindly printed my response to the gentleman,
in which I pointed out what was obvious to me – that commemorating
the murder of thirty million helpless unborn innocents in no way
diminishes the suffering or the dignity of six million innocent
Jews murdered in Nazi prison camps. All those helpless, innocent
murder victims are dear to Our Lord in His infinite love. But it
was clear that my neighbor didn’t see it that way.
Neither
does Abe Foxman, the head of the ADL – the Anti-Defamation League.
After the death of New York Cardinal John O’Connor, Archbishop of
New York, Mr. Foxman talked to the New York Observer about
his relationship with Cardinal O’Connor over the years: "That
was a relationship that took a while," said Mr. Foxman. "When Cardinal
O’Connor first came, he compared abortion to the Holocaust. But,
you know, he learned."
I
often saw Cardinal O’Connor in action, and I’m not sure he "learned"
all that much from Mr. Foxman after all. But, in Mr. Foxman’s view,
the Holocaust is apparently both a cherished, proprietary symbol
and a theory of history. Both must be tenaciously protected – by
Mr. Foxman.
When
in 1998 Pope John Paul II canonized Edith Stein, a Jewish convert
to Catholicism who died at Auschwitz in 1942, Mr. Foxman complained
to the New York Times, "It’s an unnecessary and painful
act. It’s another step towards Christianizing or universalizing
the Holocaust. By saying everybody was a victim, it’s a way of saying
the church had no role or responsibility."
Here
two themes are adumbrated: first, the extermination of six million
Jews by Hitler in World War II was unique in history and cannot
be "universalized." And, second, Christians, and especially
the Catholic Church, bear the guilt for that crime, because the
Church’s teachings are per se anti-Semitic.
The
notion of Catholic guilt for Hitler’s death camps has, of course,
prospered for years, not the least in (dare I say it?) anti-Catholic
circles. Countless books and articles routinely blame popes, "Christian"
Nazis, and the allegedly complicit Catholic Church for the crimes
that have no equal. The notion of Christian guilt is so thoroughly
bound up in the Foxman version of the Holocaust story that there
is no argument.
Indeed,
admission is not enough – there is also a requirement for expiation
by every Christian for the collective guilt. According
to the Jerusalem Post, Dr. Efraim Zuroff, head of the
Israel office of the Simon Wiesenthal Center, says that "a
public pronouncement of an acknowledgment of guilt by Christians
is important, but it's equally important to combine such declarations
with active work in education to demonstrate feelings of remorse."
According to Zuroff, "For them to come to Israel and acknowledge
guilt both before and during the Holocaust is important, but even
more important is teaching how the doctrine of the church led to
terrible antisemitism and paved the way for the Holocaust. We need
such acknowledgment accompanied by good works and educational activities
in their communities. This is the key the true test of the
validity of such pronouncements is what goes along with it."
Since
all Christians are guilty, it appears that all Christians must expiate
their collective guilt, to the satisfaction of Dr. Zuroff and the
other "we’s" that "need such acknowledgement."
Now
imagine, if you can, that the mirror image is the case. Imagine
that Dr. Zuroff believes that Christians actually feel about
Jews the way Dr. Zuroff feels about Christians. Since Christians
believe that Christ’s Passion and death are the perfect Holocaust,
Dr. Zuroff would no doubt be convinced that Christians naturally
consider him and all Jews as guilty of killing Christ. Further,
in the same vein, the Christians, of course, would not forgive the
Christ-killers; undoubtedly Christians too would "need acknowledgement"
in every generation that the Jews are indeed guilty, and demand
expiation as well.
No
wonder the two Holocausts collide so fiercely. It is a clash of
civilizations.
The
opinions of Mr. Foxman and Dr. Zuroff, while strong, do not appear
to represent the views of all Jews with regard to Christians. In
fact, Anne Applebaum, the recent Pulitzer Prize-winner, has expressed
some misgivings about some "American Jewish organisations"
and their views of the Holocaust. Applebaum writes that "a
growing number of people have been bothered not only by the air
of self-righteousness and silence surrounding the memorialisation
of the Holocaust, but by the crass commercialisation too."
[Applebaum’s article, entitled "The
Battle for the Holocaust Legacy," appeared in 2000.]
Columnist
John Leo has also recently noted the "mission creep"
of the ADL: "The Anti-Defamation League is dedicated to opposing
hatred, particularly hatred of Jews. Its recent activities include
support for abortion and gay rights, backing the effort to remove
Alabama Chief Justice Roy Moore from the bench in the Ten Commandments
case, and opposing school vouchers in Washington, D.C." Not
surprisingly, the ADL’s political agenda virtually denies everything
that the Catholic Church stands for. Could this help to explain
their opposition to "The Passion of the Christ"?
Perhaps
my neighbor at Boston University embraced the ADL agenda. If so,
no wonder he was so upset that I used the language of the Holocaust
to represent the murder of the unborn.
Mr.
Foxman apparently considered "The Passion of the Christ"
as mere cover, a vehicle for Mel Gibson’s anti-Semitism. Adopting
the same approach, could Christians possibly believe that the modern
Holocaust is a cynical front for an anti-Christian political agenda?
Politics
aside, the modern view of the Holocaust, while not specifically
religious, is for many a religion in itself, one that reflects the
modern mind by pinpointing the essence of evil in Hitler as a sort
of "summum malum (supreme evil)." The identity of the
Supreme Good is not quite so clear – but it goes without saying
that for decades, Hitler is the one figure that the entire world
can invoke without challenge to denote evil. In Senate debates about
the Iraq war, for instance, Senator James Inhofe of Oklahoma called
Saddam Hussein "the worst tyrant since Hitler," evidently
considering later figures like Stalin, Mao, Pol Pot, Ceaucescou,
and Kim Jong Il to be less effective, if not less qualified, as
yardsticks of evil.
The
modern view of the Holocaust is widespread – in fact, it is one
of the most universally recognized symbols in our culture. The Christian
view of the Holocaust, however, is barely known, even though it
has been fundamental to the last two thousand years of western civilization.
From antiquity to modern times, the term "holocaust" has meant a
sacrificial offering inseparable from the expression of a profound
reverence for God. This is how the Catholic Encyclopedia explains
it:
"As suggested
by its Greek origin (holos "whole", and kaustos "burnt") the word
designates an offering entirely consumed by fire, in use among
the Jews and some pagan nations of antiquity. As employed in the
Vulgate, it corresponds to two Hebrew terms: (1) to holah, literally:
"that which goes up," either to the altar to be sacrificed, or
to heaven in the sacrificial flame; (2) Kalil, literally: "entire,"
"perfect," which, as a sacrificial term, is usually a descriptive
synonym of holah, and denotes an offering consumed wholly on the
altar. At whatever time and by whomsoever offered, holocausts
were naturally regarded as the highest, because the most complete,
outward expression of man's reverence to God."
The
Christian view of Christ as the perfect holocaust is described by
St. Francis de Sales, a seventeenth-century French bishop and Doctor
of the Church. Speaking of Mary at the foot of the cross, he says:
"The
sorrow of the Son at that time was a piercing sword, which passes
through the heart of the Mother, because that Mother's heart was
glued, joined, and united to her Son, with so perfect a union
that nothing could wound the one without inflicting a lively torture
upon the other. Now this maternal bosom, being thus wounded with
love, not only did not seek a cure for its wound, but loves her
wound more than all cure, dearly keeping the shafts of sorrow
she had received, on account of the love which had shot them into
her heart, and continually desiring to die of them, since her
Son died of them, who as say all the Holy Scriptures, and all
Doctors, died amidst the flames of his charity, a perfect holocaust
for all the sins of the world."
Like
the image of Christ as the perfect, loving, innocent victim, this
view of Mary’s intimate role in the suffering of her Divine Son
is perfectly harmonious with Gibson’s portrayal of the Passion,
where Mary flinches with every blow that strikes her Divine Son.
But it flies in the face of those who mounted the attacks on Gibson
and his movie.
This
Christian view of the Holocaust brings to mind a few explanatory
observations:
One
regards the question, "Who killed Christ?" Scripture makes
it clear:
"Therefore
My Father loves Me, because I lay down My life that I may take
it up again. No one takes it from Me, but I lay it down of Myself.
I have power to lay it down, and I have power to take it again.
This command I have received from My Father." (John 10:1718)
No
one "killed" Christ – not the Jews, not the Romans, not
Pontius Pilate, not even Judas. Christ laid down His life for us,
in freedom, out of perfect love for us. And He is the perfect Holocaust,
perfectly acceptable to the Father in atonement for the sins of
all mankind, if only we embrace the means of salvation He gave us.
The implication of Mr. Foxman, Dr. Zuroff, and others – whatever
their motives that Christianity is per se anti-Semitic
is plainly wrong. Not just because of the "Jews killed
Christ" canard, but also because of an abyss of difference
on the nature of forgiveness.
Gibson
underscores repeatedly Christ’s forgiveness of His persecutors –
all of them during the Passion. He includes a flashback to
Christ’s preaching the New Commandment – which was certainly not
part of the Old Law – that we must love one another, including our
enemies, not just our friends.
In
this light, consider the modern view of the Holocaust. Dr. Zuroff,
for instance, insists that Christians share a guilt that is somehow
inherent, sort of an original sin shared by all Christians but only
Christians. Thus they must constantly expiate that guilt, and can
be judged (by whom is not clear) as to the genuine character of
their expiation.
Elie
Wiesel, my former Boston neighbor, made it more explicit in a prayer
he offered at a memorial service held at Auschwitz in 1995: "God
of forgiveness, do not forgive those who created this place. God
of mercy, have no mercy on those who killed Jewish children here."
A
leading Jewish figure, a Holocaust survivor, begs God not to forgive
the Nazis. Could it possibly be that some contemporary Jews might
fear that Christians cannot forgive the perpetrators of their
Holocaust?
It
appears that some Jews believe that contemporary Christians consider
them to be "Christ-killers." If those same Jews cannot
forgive the Nazis who perpetrated the Holocaust of World War Two,
wouldn’t it be logical for them to think that Christians can’t forgive
them, either, for "killing Christ"?
Of
course, this view is flawed. It flies in the face of Christian theology.
Christ is the personification of infinite mercy and He calls on
us to forgive others as we would have them forgive us. But let’s
face it – wouldn’t Jewish believers consider Christian theology
to be fundamentally flawed anyway – even a lie, a blasphemy – because
it is based on the belief that Christ is the Messiah – their
Messiah too, the cornerstone that they have rejected?
So,
wouldn’t they wonder, if they can’t forgive the Christians – all
of whom are guilty of the Holocaust, according to Dr. Zuroff – then
how can Jews expect Christians to be forgiving when they go see
Mel Gibson’s Christ crucified in such a horrible, thoroughly believable
way?
No
wonder so many virulently attack Gibson and his movie. They must
think that Christians are saying the same thing about them that
Elie Wiesel said about us – "Do not forgive them, Lord!"
If Wiesel’s God will not forgive the Germans for killing the Jews,
how could he possibly believe that God would ever forgive the Jews
for crucifying His only Son?
One
begins to see the difficulty.
With
an understanding of the modern view and the Christian view of the
Passion and the Holocaust, many other pieces fall into place.
Remember
how everybody attacked Gibson’s father as a "Holocaust denier"?
They were virulent, ad hominem, and going for the jugular. Why?
Because
every Jew who does not proclaim Jesus Christ as his Lord and Savior
is denying the Christian view of the Holocaust – in other
words, Jews might fear that Christians view them with the same virulent
scorn that many Jews heap on "Holocaust Deniers" like
Gibson’s father.
Hence,
when Gibson, the son of a modern Holocaust denier, makes a film
about the perfect Holocaust of Christ’s Passion and death, contemporary
observers – and not only Jews might be tempted to consider
"The Passion of the Christ" a blasphemous affront to the
modern Holocaust and an insult to the suffering and death of six
million Jews under Hitler.
If
Jews think we Christians hate them for not loving Jesus, no wonder
they’re upset! That would mean that we want to punish them as the
perpetrators of the perfect Holocaust Christ’s Passion and
death on the cross.
Charles
Krauthammer, for one, is livid, raging that Gibson’s movie is
a "blood libel" on Jews. Krauthammer attacks Gibson, Christians,
and Christianity with seething contempt. In that, he mirrors hundreds
of other critics. But in one respect, Krauthammer lodges a unique
complaint:
"Gibson's
personal interpretation is spectacularly vicious. Three of the
Gospels have but a one-line reference to Jesus's scourging. The
fourth has no reference at all. In Gibson's movie this becomes
10 minutes of the most unremitting sadism in the history of film.
Why 10? Why not five? Why not two? Why not zero, as in Luke? Gibson
chose 10."
Dr.
Krauthammer might not know it, but there is a very contemporary
reason for Gibson’s emphasis on the scourging. Saint Faustina, a
twentieth-century Polish nun and visionary who was canonized by
Pope John Paul II in 2000, gives this account:
"I saw
the Lord Jesus tied to a pillar, stripped of His clothes, and
the scourging began immediately. I saw four men who took turns
at striking the Lord with scourges…. And Jesus gave me to know
for what sins He subjected Himself to the scourging: these are
sins of impurity. Oh, how dreadful was Jesus’ moral suffering
during the scourging! Then Jesus said to me, Look and see the
human race in its present condition. In an instant, I saw horrible
things: the executioners left Jesus, and other people started
scourging Him; they seized the scourges and struck the Lord mercilessly.
These were priests, religious men and women, and high dignitaries
of the Church, which surprised me greatly. There were lay people
of all ages and walks of life. All vented their malice on the
innocent Jesus."
There
is Dr. Krauthammer’s answer: ours is an age suffused in prurience
and sins of the flesh Sins committed by Catholics, even clergymen.
If only Mr. Krauthammer had known, he would not have vented his
spleen at Gibson for depicting such torture, but at sinners and
at our sinful, self-indulgent age. Our sins are the reason Christ
laid down his life after such suffering. If anyone killed Christ,
we did.
We
can hardly expect someone who advocates homosexuality and abortion
to celebrate a movie that (through the eyes of Saint Faustina) views
them as profoundly sinful so evil that Christ had to suffer
the endless scourging that tore His flesh apart because of our sins
of the flesh, in the scene that so enraged Dr. Krauthammer.
However,
that concept is probably impossible to grasp, if one believes in
neither Christ nor sin. So the battle over the Holocausts will go
on.
Mel
might not have planned it that way, but his film gives eloquent
public voice to the Christian view, one that is simple, eloquent,
and beautiful, even
though many in our age do find it offensive: Christ crucified
is the personification of infinite truth, love, and forgiveness.
Sinful man, God’s infinite love, and Christian forgiveness – that’s
what Good Friday and the Passion are all about.
April
10, 2004
Christopher
Manion [send him mail] is
president of Manion Music,
LLC, which produces copyrighted, royalty-free music collections
for telecommunications media and commercial and hospitality sites
that use background music or music-on-hold. He writes from the Shenandoah
Valley.
Copyright
© Christopher Manion 2004. All Rights reserved.
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