64 Years Too Late and Not a Moment Too Soon
by
Tom
Engelhardt
by Tom Engelhardt
Recently by Tom Engelhardt: Are
Afghan Lives Worth Anything?
As another
August 6th approaches, let me tell you a little story about Hiroshima
and me:
As a young
man, I was probably not completely atypical in having the Bomb (the
1950s was a great time for capitalizing what was important) on my
brain, and not just while I was ducking
under my school desk as sirens howled their nuclear warnings outside.
Like many people my age, I dreamed about the bomb, too. I could,
in those nightmares, feel its searing heat, watch a mushroom cloud
rise on some distant horizon, or find myself in some devastated
landscape I had never come close to experiencing (except perhaps
in sci-fi novels).
Of course,
my dreams were nothing compared to those of America's top strategists
who, in secret National Security Council documents of the early
1950s, descended into the charnel house of future history, imagining
life on this planet as an eternal potential holocaust. They wrote
in those documents of the possibility that 100 atomic bombs, landing
on targets in the United States, might kill or injure 22 million
Americans and of an American "blow" that might result in the "complete
destruction" of the Soviet Union.
And they were
pikers compared to the top military brass who, in 1960, found themselves
arguing over the
country's first Single Integrated Operational Plan for nuclear
strategy. In it, a scenario was laid out for delivering more than
3,200 nuclear weapons to 1,060 targets in the Communist world, including
at least 130 cities which would, if all went well, cease to exist.
Official, if classified, estimates of possible casualties from such
an attack and by then, nuclear weaponry and its delivery
systems had grown far more powerful ran to 285 million dead
and 40 million injured (and this probably underestimated radiation
effects).
From the National
Security Council and the Pentagon to a teenager's nightmares, an
American obsession with global annihilation undoubtedly peaked when
President Kennedy came
on the air on October 22, 1962, to tell us that Soviet missile
sites were just then being prepared on the island of Cuba with "a
nuclear strike capability against the Western Hemisphere." Listening
to his address, Americans everywhere imagined a nuclear confrontation
that could leave parts of the country in ruins. Nuclear fears, however,
began to fade (even as the superpower arsenals grew) when the Cuban
Missile Crisis was defused and, along with
atomic tests, went underground after the Nuclear Test Ban Treaty
was signed in 1963. Then, of course, the Vietnam War seemed to swallow
the world.
In 1979, after
the reactor core of a nuclear plant at Three
Mile Island in Pennsylvania partially melted down, the bomb
returned to me in an odd way. Then a book editor, I went out to
lunch with a potential author who had been on one of the investigatory
panels created by the President's Commission on the Accident at
Three Mile Island which Jimmy Carter had set up. She told me of
a Japanese journalist who testified before her panel. He had interviewed
the mothers of young children and pregnant women belatedly evacuated
from the potential danger zone to an iceless ice rink in the state
capital, Harrisburg. None of them had heard of Hiroshima or Nagasaki.
This so startled
me that I decided to search for a book to publish on what had happened
on those August days in 1945 when two Japanese cities were wiped
out by a new weapon and the nuclear age began. With the help of
a historian and friend, I finally came across a Japanese book of
images drawn by Hiroshima survivors, few of them artists, sometimes
with school materials borrowed from their own grandchildren. Each
drawing caught a moment experienced on that terrible day when Hiroshima
was wiped out and was accompanied by a little personal description.
Many of images were in pastels, or even crayon, and looked invitingly
sprightly until you read the horrific accounts that accompanied
them. The book was called Unforgettable
Fire and it played a small role in the massive anti-nuclear
movement that arose in those years. Unfortunately and this
tells us something it's now long out of print.
A couple of
years later, I was invited by Japanese publishers to visit their
country. Only on arriving did I discover that the man who had shepherded
Unforgettable Fire to publication and who was surprised
to discover that an American editor wanted to publish it in translation
planned to take me to Hiroshima.
As a former
atomic dreamer, who now knew a good deal about the history of the
dropping of the bomb, and was, above all, the editor of possibly
the only mainstream visual record in the U.S. of what had happened
under that mushroom cloud, I was touched by the gesture, but somewhat
bored by the idea. After all, Japan was then dazzling. It was the
era of "Japan as Number One" mania and there was so much to see
in a few brief days and I, of course, knew pretty much what
there was to be known about the experience of the first A-bombing.
That's just how plain dumb I was.
The
trip to the Hiroshima
Peace Memorial Museum with its caramelized children's lunchbox
and permanently imprinted human shadows was, to say the least, unspeakably
horrifying. In fact, it left me literally speechless, so much so
that, although I returned to New York babbling about Japan, I found,
for a long time, I couldn't talk about what I had seen in Hiroshima.
And that,
mind you, was only the museum, which means it was next to nothing
compared to what actually happened that long ago day. When American
strategists in the 1950s confidently began, in Herman Kahn's famous
phrase, "thinking the unthinkable," they, too, undoubtedly had no
idea what they were incapable of imagining. By and large, they still
don't. As TomDispatch regular Frida Berrigan points out, the weapons
that devastated Hiroshima and Nagasaki are the equivalent of BBs
compared to what's now in the major nuclear arsenals on this planet.
So sweet dreams this Hiroshima Day.
August
6, 2009
Tom
Engelhardt [send him mail]
co-founder
of the Nation Institute's TomDispatch.com, is the co-founder of
the American Empire
Project. His book, The
End of Victory Culture, has recently been updated in a newly
issued edition. He edited, and his work appears in, the first best
of TomDispatch book, The
World According to TomDispatch: America in the New Age of Empire
(Verso), an alternative history of the mad Bush years. To catch
an audio interview in which he discusses our airborne assassins,
click here.
Copyright
© 2009 Tom Engelhardt
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