The Misuse of American History
by
Tom Engelhardt
and Andrew J. Bacevich
by Tom Engelhardt and
Andrew J. Bacevich
I recently
wrote about Karl
Rove's gamble that Americans would prefer a Green-Zone version
of our world to grim political reality and that, in the process
of telling "Green-Zone stories" to the public, it was useful if
you could also "Green Zone" history enclosing small parts
of the past (like the President's version of World War II) that
were useful to you and sending the rest down the memory hole. As
it happens, a recently published book from a liberal hawk offers
another version of the Green-Zoning of history, as Andrew Bacevich
indicates in a review that will appear in the latest issue of the
Nation magazine and is posted here with the kind permission
of that magazine's book editor, Adam Shatz.
Bacevich,
historian, Vietnam Vet, and conservative, has been a fascinating
figure in these last years. He himself is almost single-handedly
in the process of reclaiming our history for us. His most recent
book on how the
neocons fell in love with American military might, The
New American Militarism, is simply a must-have for any political
library. To read more on Bacevich's views and experiences, check
out his
interview at Tomdispatch.
Tom
The American
Political Tradition
By Andrew J.
Bacevich
The
Good Fight: Why Liberals and Only Liberals Can Win
the War on Terror and Make America Great Again. By Peter
Beinart. HarperCollins. 288 pp. $25.95.
Overthrow:
America's Century of Regime Change From Hawaii to Iraq. By
Stephen Kinzer. Times. 384 pp. $27.50.
This column,
which will appear in the July 17/24 issue of The
Nation Magazine, is posted here with the kind permission
of the editors of that magazine.
When
it comes to foreign policy, the fundamental divide in American politics
today is not between left and right but between those who subscribe
to the myth of the "American Century" and those who do not. Peter
Beinart is a true believer. In his eyes America's purpose today
remains precisely what it has always been: to confront and destroy
the enemies of freedom at home and abroad. In The Good Fight,
he summons liberals to recover their crusading spirit and to "put
anti-totalitarianism at the center of their hopes for a better country
and a better world." Liberalism must become once again what it was
in its heyday: "a fighting faith."
A fighting
faith requires "a narrative of national greatness." To win elections,
good ideas and qualified candidates won't suffice. "Liberals can
churn out policy papers and nominate war heroes," Beinart writes,
"but without their own narrative of American greatness, it will
do them little good, either in gaining power or in wielding it."
Here, according to Beinart, lies the genius of Republicans, whether
in the era of Ronald Reagan or in the age of George W. Bush: "They
have a usable past." Celebrating American virtue and righteousness
plays well at the polls. To compete effectively Democrats will have
to invent their own uplifting version of history "invent"
being the operative term, since for Beinart facts as such are incidental
to the process. "Empiricism," he suggests, "is no match for a narrative
of the present based on a memory of the past."
The remembering
that transforms the past into parable is necessarily selective.
Indeed, what you leave out is as important as what you include.
This is where Beinart takes present-day liberals to task. Ever since
the 1960s they have shown a penchant for getting history backward,
forgetting what matters (like standing up to Hitler and Stalin)
and obsessing about what ought to be forgotten (like Vietnam). "Before
today's progressives can conquer their ideological weakness," he
writes, "they must conquer their ideological amnesia. What they
need to remember, above all, is the cold war." In short, today's
liberals ought to take their cues from the hawkish Democrats of
yesteryear who led the epic battle against Communism. That struggle
defined the second half of the twentieth century; with totalitarianism
now having reconstituted itself in the guise of "jihadist terrorism,"
the struggle continues and, as Beinart sees it, promises to define
the twenty-first century as well.
Beinart devotes
much of The Good Fight to constructing this narrative of
an anti-totalitarian crusade running from World War II to the present.
In his telling of the tale, as long as steely liberals like Harry
Truman and John F. Kennedy were at the helm, heeding the counsel
of tough-minded liberal intellectuals like Reinhold Niebuhr and
Arthur Schlesinger Jr., the crusade proceeded swimmingly. When liberals
lost their nerve, however, and conservatives came to power, things
went awry.
Sustaining
this thesis requires an extraordinary combination of omissions and
contortions on Beinart's part. Readers will learn, for example,
that Kennedy was a visionary statesman who instituted the Alliance
for Progress and created the Peace Corps. They won't learn anything
about the Bay of Pigs, Operation Mongoose, or U.S. complicity in
the assassination of Ngo Dinh Diem. Nor will they get any assessment
of what Kennedy's ostensibly progressive foreign policy initiatives
actually accomplished. (Answer: not much.)
Readers will
learn further about the unfortunate tendency of conservatives
in contrast to sophisticated, worldly liberals to see things
in terms of black and white. Beinart offers up John Foster Dulles,
who "painted the cold war as a quasi-religious struggle between
good and evil," as a prime offender. Yet he ignores a mountain of
evidence, starting with the Truman administration's NSC-68, suggesting
that liberals were equally susceptible to Manichean indeed,
apocalyptic views. As for Dulles, Beinart rather conveniently
overlooks the fact that the very pragmatic Dwight Eisenhower kept
his Secretary of State on a short leash. Dulles preached good and
evil; more often than not, Ike discounted the preaching and opted
for prudence.
According
to the Republican version of the American Century, Ronald Reagan
all but single-handedly brought about the collapse of Communism.
Not so, insists Beinart. Just as liberals framed the cold war in
the 1940s, so too they saved the day in the 1980s by preventing
reckless right-wingers from abandoning that frame. Credit for turning
back the forces of totalitarianism in Central America goes to those
hardheaded liberal Democrats in Congress who repaired the flaws
in the Reagan Doctrine, thereby subverting the Sandinista regime
in Nicaragua and keeping El Salvador from slipping into the Communist
orbit.
This imaginative,
if largely spurious, depiction of postwar history serves Beinart's
larger purpose in two ways. First, by revalidating antitotalitarianism
as the era's overarching theme, Beinart promotes it as the idea
that ought to define U.S. policy in the aftermath of 9/11 as well.
Second, by portraying hawkish liberals as heroes, doves as fools,
and conservatives as knaves, he suggests that restoring the fortunes
of today's Democratic Party ought to be a piece of cake: All liberals
need to do is to reject the wimpy anti-imperialism of Howard Dean
and Michael Moore and embrace the muscular principles that inspired
the Americans for Democratic Action back in the late 1940s.
To legitimate
this fraud and to wrap anti-totalitarian liberalism in a mantle
of moral superiority, Beinart shanghais Reinhold Niebuhr and subjects
the great Protestant theologian to ritual abuse. In essence, he
uses Niebuhr much as Jerry Falwell uses Jesus Christ, and just as
shamelessly: citing him as an unimpeachable authority and claiming
his endorsement, thereby pre-empting any further discussion.
To establish
his Niebuhrean credentials, Beinart sprinkles The Good Fight
with references to "guilt," "moral fallibility" and "limits." Yet
whereas the real Niebuhr's message was a cautionary one, Beinart-channeling-Niebuhr
emits portentous exhortations. Like a third-rate stump speech, the
results don't necessarily parse, but they do manage to sound awfully
important. Thus Beinart lets it be known that "only when America
recognizes that it is not inherently good can it become great."
Then there's this chin stroker: "America must shed its moral innocence
to act meaningfully in the world." Or better still: "America's challenge
lies not in recognizing our moral superiority, but in demonstrating
it."
The real Niebuhr
worried less about Americans demonstrating their moral superiority
than about whether they would forgo temptations of moral irresponsibility.
But then, the real Niebuhr did not conceive of history as a narrative
of national greatness. Rather than bend the past to suit a particular
agenda, liberal or otherwise, he viewed it as beyond our understanding
and fraught with paradox. "The whole drama of history," he wrote,
"is enacted in a frame of meaning too large for human comprehension
or management."
No such humility
constrains Beinart. He not only comprehends history but insists
with all the fervor of William Kristol that the United States has
the capacity and duty to manage it. After all, when the first phase
of the American Century ended in 1989, it rendered a definitive
verdict: "The core reality was that the United States had vanquished
its chief ideological competitor and military rival, leaving it
in a position of astonishing strength." Victory in the cold war
imposed obligations; Americans were called upon to use that strength
to carry on the work of liberating humankind. Today, when in Beinart's
estimate "U.S. military and economic influence knows few bounds,"
he believes it is incumbent upon policy-makers to redouble American
efforts to spread the blessings of freedom and equality across the
Muslim world.
Writing in
the early days of the cold war, Niebuhr had urged "a sense of modesty
about the virtue, wisdom, and power available to us for the resolution
of [history's] perplexities." Were he in our midst today, he would
likely align himself with those dissidents on the left and the right
who reject the conceits of the American Century and who view as
profoundly dangerous the claims of both neoliberals and neoconservatives
to understand history's purpose and destination. The beginning of
wisdom, Niebuhr counseled, lies in recognizing that history cannot
be coerced.
Beinart is
by no means alone in believing otherwise. Generations of American
statesmen have pushed and prodded history this way and that. Stephen
Kinzer's Overthrow surveys some of the results of their handiwork.
Unlike Beinart,
Kinzer does not buy into the myth of an American Century in which
the forces of freedom fought those of totalitarianism. His alternative
version of that century, running from the 1890s to the present day,
recounts the generally sorry record of US efforts to subvert and
overthrow foreign governments that failed to meet with American
approval. His new book catalogues fourteen such episodes, beginning
with the "revolution" concocted by wealthy American planters in
1893 to depose Hawaii's Queen Liliuokalani and culminating with
George W. Bush's invasion of Iraq 110 years later.
A longtime
foreign correspondent with the New York Times, Kinzer does
not provide a lot that's new. Relying on secondary sources, Overthrow
recycles and repackages material that will be familiar to the historically
literate. But by collecting these stories in a single volume, Kinzer
performs a useful service. Overthrow makes it abundantly
clear that far from being some innovation devised in the aftermath
of 9/11, "regime change" has long been a mainstay of American statecraft.
When targeting
some offending potentate for retirement, Kinzer notes, Washington
has seldom if ever acted for altruistic reasons. "Every time the
United States has set out to overthrow a foreign government, its
leaders have insisted that they are acting not to expand American
power but to help people who are suffering." In reality, however,
the suffering of the oppressed has never figured as more than an
afterthought. "What distinguishes Americans from citizens of past
empires," writes Kinzer, "is their eagerness to persuade themselves
that they are acting out of humanitarian motives." But Kinzer recognizes
this as poppycock; like any great power, the United States has set
its policy according to self-interest. Whether in Latin America,
the Asia-Pacific or the Persian Gulf, the United States has seen
regime change as a means for improving economic access, shoring
up political stability and enhancing American control.
Kinzer is
especially good at tallying up what he calls the "terrible unintended
consequences" that frequently ensue when the United States overthrows
a government that has fallen out of Washington's favor. Bush's removal
of Saddam Hussein is by no means the first such enterprise to produce
something other than the tidy outcome envisioned by its architects.
A couple of decades of mucking around in Nicaragua yielded the dictator
Anastasio Somoza Debayle. U.S. promotion of the 1953 coup to remove
Mohammed Mossadegh, Iran's nationalist prime minister, fueled anti-American
resentment that eventually found expression in the 1979 Islamic
Revolution. The pursuit of Fidel Castro in 1961 paved the way for
the missile crisis a year later. The toppling of South Vietnam's
President Ngo Dinh Diem in 1963 gave rise to chaos. And so it has
gone.
Most instructive
of all, however, are the ironic consequences stemming from America's
success in ousting the Soviets from Afghanistan. In retrospect,
the results of regime change there serve as a sort of cosmic affirmation
of Niebuhr's entire worldview. Of Afghanistan in the years following
the Soviet withdrawal, truly it can be said, as Niebuhr wrote, "The
paths of progress… proved to be more devious and unpredictable than
the putative managers of history could understand."
Those,
like Peter Beinart, who are gung-ho to wage their war against jihadist
terror dare not contemplate present-day Afghanistan too deeply.
Their depiction of the war as a contest that pits freedom against
totalitarianism becomes plausible only if they ignore the actual
history giving rise to the conflict. Much of that history occurred
in the period enshrined as the American Century, but precious little
of it had anything to do with promoting freedom. As experienced
by Muslims, the American Century was marked by imperialism and intervention,
manipulation and betrayal, Israel and oil. It goes without saying
that in Beinart's account none of these matters qualify as relevant.
The
Good Fight began life as an essay that appeared in The New
Republic when Beinart edited that magazine. According to press
reports, he received a handsome $600,000 advance to expand his essay
into a book. The result can only be called a major disappointment:
The Good Fight is insipid, pretentious and poorly written.
At points it verges on incoherence. As history, it is meretricious.
As policy prescription, it is wrongheaded. Beinart has perpetrated
his fraud twice over.
June
29, 2006
Tom
Engelhardt [send him mail]
is editor of TomDispatch.com,
a project of the Nation
Institute. He
is the author of several books, including The
Last Days of Publishing: A Novel and The
End of Victory Culture. Andrew J. Bacevich is professor of
history and international relations at Boston University. His most
recent book is The
New American Militarism: How Americans Are Seduced by War.
Copyright
© 2006 Andrew J. Bacevich
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