A
Western Even Lew Rockwell Could Love
by
Michael Tennant
by Michael Tennant
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A brief discussion
of the old TV western Bat Masterson, and westerns of that
era in general, has been taking place on the LRC blog. Lew
Rockwell was disturbed to find that a program of which he had
fond memories actually perpetuated
the myths of the noble Yankee white man and the ignorant, savage
red man, while Ryan
McMaken pointed out that the western myths had the added effect
of increasing the public’s acceptance of a large, centralized, corporate
state. Thus did the discussion end largely in despair of finding
a western series with which libertarians can be comfortable.
I
hereby nominate for the most libertarian-friendly western TV series
not a stalwart, deadly serious, white-hats-versus-black-hats drama
like Gunsmoke but the 1965–67 situation comedy F
Troop.
Now it might
seem odd to suggest a series in which the central characters are,
for the most part, members of the United States Army as a libertarian’s
dream. However, when one considers the particulars of the show,
it becomes obvious that, as is often the case, comedy can tell the
truth which drama shrinks from bringing to light.
First of all,
the men of F Troop are a miserable lot of lazy bumblers, exactly
the sort of people who in real life couldn’t be employed anywhere
except on the federal gravy train. Stationed at Fort Courage (the
last word that could be used to describe the soldiers therein),
Kansas, they include the exceptionally myopic lookout, Vanderbilt;
the over-the-hill and slightly senile Duffy; the overweight immigrant
Hoffenmueller; the eager but far from musically inclined young bugler,
Dobbs; and the scheming Sgt. Morgan O’Rourke (played by Forrest
Tucker) and his rather dim sidekick and partner in crime, Cpl. Randolph
Agarn (Larry Storch). O’Rourke and Agarn are forever scheming to
make money off the taxpayers’ backs, ordering more supplies than
necessary and diverting the excess to their own profitable ventures,
including the local saloon. The commanding officer of F Troop is
Capt. Wilton Parmenter (Ken Berry), a clumsy but well-meaning sort
who accidentally continues his family’s tradition of military heroism
by sneezing in the midst of a retreat during a Civil War battle.
His sneeze is misinterpreted as a command to charge, and the troops
reverse direction and win the battle for the Union. (Okay, so this
one thing makes him less than a hero to most LRC readers, but since
it was an accident, I’m willing to cut him some slack.) His "reward"
is to take command of Fort Courage.
Now I ask you:
Where else in popular culture could you find a more accurate portrayal
of how the federal government, including its military, actually
operates? People who couldn’t find work in the private sector get
sinecures on the government payroll and then do their level best
to extract as much as they can out of the taxpayer, while the people
in charge are incompetent dolts who would be just as useless in
the private sector as their subordinates.
Whereas Gen.
Sheridan, much to Lew’s dismay, was featured positively in Bat
Masterson, Gen. Custer fares much more poorly in F Troop.
In the episode "Old Ironpants," Capt. Parmenter attends
an officers’ training school run by Custer. Upon his return to Fort
Courage, accompanied by Custer, he bids the general adieu
with the parting comment, "Good luck on your new assignment
at Little Big Horn." Meanwhile, Parmenter has been transformed
into a Custer clone, complete with goatee. He proceeds to treat
everyone in Fort Courage like dirt, drilling the men to death and
even trying to have his erstwhile girlfriend, Wrangler Jane (Melody
Patterson), arrested for the mere act of being friendly and speaking
to him. (When O’Rourke tells Parmenter that he can’t arrest Jane
because she’s a civilian, the captain replies, "Then draft
her. Then arrest her.") The men and Jane have to "un-Custer"
him in order to be treated like human beings again.
Now that’s
how to portray a mass murdering general – as a man who considers
his own soldiers worthless objects that are beneath his dignity
and entirely expendable. No wonder he had no trouble slaughtering
Indians by the score (when they didn’t get him first) and ordering
his men on to certain death! As far as he was concerned, only one
person, himself, and only one cause, the glory of the U.S. government,
mattered. It certainly beats the glorification of Sheridan on Bat
Masterson.
Finally, and
probably unwittingly, F Troop demonstrates the glories of
capitalism. Wrangler Jane, one of the most kindhearted and good-natured
characters on the show, runs the local general store. O’Rourke and
Agarn, for all their faults in skimming from the army for their
own gain, run a profitable business in partnership with the local
Indian tribe, the Hekawis. The Hekawis, while comic figures just
as the soldiers are, are treated with a great deal of respect by
their business partners, who often come to them for help. Best of
all, it is precisely this partnership that keeps the relationship
between the white man and the red man peaceful – not that the Hekawis
seem particularly eager to fight, but it doesn’t hurt that they
stand to lose substantial cash if they disrupt the relationship.
For example, in one episode Don Rickles guest stars as Bald Eagle,
the renegade son of Hekawi Chief Wild Eagle. When he asks Wild Eagle
if he will lead the Hekawis in an attack on the fort, Wild Eagle
replies, "Not during big end-of-month sale." Thus we see
that trade is a powerful deterrent to armed hostilities.
So let’s hear
it for the men (and woman) of Fort Courage! In their own highly
comedic ways – and F Troop, as far as I am concerned, is
one of the funniest TV series ever, especially in its first season
– they show us the bad, the ugly, and the just plain inept of government
and the good of free markets and respect for individuals, whether
soldiers, civilians, or "Indians."
January
10, 2007
Michael
Tennant [send him
mail] is a software developer in Pittsburgh, Pennsylvania.
Copyright
© 2007 LewRockwell.com
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