The J.F.K. Flapby
Murray
N. Rothbard This essay originally appeared in the May 1992 issue of The Rothbard-Rockwell Report. The most fascinating thing about JFK, as exciting and well-done as it is, is not the movie itself but the hysterical attempt to marginalize, if not to suppress it. How many movies can you remember where the entire Establishment, in serried ranks, from left (The Nation) through Center to Right, joined together as one in a frantic orgy of calumny and denunciation. Time and Newsweek actually doing so before the movie came out? Apparently, so fearful was the Establishment that the Oliver Stone movie might prove convincing that the public had to be thoroughly inoculated in advance. It was a remarkable performance by the media, and it demonstrates, as nothing else, the enormous and growing gap between Respectable Media opinion and what the public Knows in its Heart.
Despite the fuss and feathers, to veteran Kennedy Assassination buffs, there was nothing new in JFK. What Stone does is to summarize admirably the best of a veritable industry of assassination revisionism – of literally scores of books, articles, tapes, annual conventions, and archival research. Stone himself is quite knowledgeable in the area, as shown by his devastating answer in the Washington Post, to the smears of the last surviving Warren Commission member, Gerald Ford, and the old Commission hack, David W. Belin. Despite the smears in the press, there was nothing outlandish in the movie. Interestingly enough, JFK has been lambasted much more furiously than was the first revisionist movie, Don Freed's Executive Action (1973), an exciting film with Robert Ryan and Will Geer, which actually did go way beyond the evidence, and beyond plausibility, by trying to make an H.L. Hunt figure the main conspirator. The evidence is now overwhelming that the orthodox Warren legend, that Oswald did it and did it alone, is pure fabrication. It now seems clear that Kennedy died in a classic military triangulation hit, that, as Parkland Memorial autopsy pathologist Dr. Charles Crenshaw has very recently affirmed, the fatal shots were fired from in front, from the grassy knoll, and that the conspirators were, at the very least, the right-wing of the CIA, joined by its long-time associates and employees, the Mafia. It is less well established that President Johnson himself was in on the original hit, though he obviously conducted the coordinated cover-up, but certainly his involvement is highly plausible.
Conservatives, as well as centrists, are smearing JFK because Stone is a notorious leftist. Well, so what? It is not simply that the ideology of the teller has no logical bearing on the truth of the tale. The case is stronger than that. For in a day when the Moderate Left to Moderate Right constitute an increasingly monolithic Establishment, with only nuanced variations among them, we can only get the truth from people outside the Establishment, either on the far right or far left, or even from the highly non-respectable supermarket tabloids. And it is no accident that it is an open secret that the heroic "Deep Throat" figure in JFK is Colonel Fletcher Prouty, who is certainly no leftist. And one of the outstanding Revisionist writers is the long-time libertarian Carl Oglesby. One particularly welcome aspect of JFK, by the way, is its making Jim Garrison the central heroic figure. Garrison, one of the most viciously smeared figures in modern political history, was simply a district attorney trying to do his job in the most important criminal case of our time. Kevin Costner's expressionless style fits in well with the Garrison role, and Tommy Lee Jones is outstanding as the evil CIA-businessman conspirator Clay Shaw.
As the case for revisionism piles up, there is evidence that some of the more sophisticated members of the Establishment are preparing to jettison the Warren legend, and fall back on an explanation less threatening than blaming E. Howard Hunt or the CIA: that is to lay blame solely on the Mafia, specifically on Sam Giancana, Johnny Roselli, and Jimmy Hoffa, none of whom are around to debate the issue. A convincing attack on the Mafia-only thesis was leveled by Carl Oglesby in his Afterward to Jim Garrison's book of a few years back (which formed one of the bases for JFK) On the Trail of the Assassins. The Mafia simply did not have the resources, for example, to change the route or call off military or Secret Service protection. Many conservatives and libertarians will surely be irritated by one theme of the film: the old-fashioned view of Kennedy as the shining young prince of Camelot, the great hero about to redeem America who was chopped down in his prime by dark reactionary forces. That sort of attitude has long been discredited by a very different kind of Revisionism – as tales have come out about the sleazy Kennedy brothers, Judith Exner, Sam Giancana, Marilyn Monroe, et al. Well, OK, but look at it this way: a president was murdered, for heaven's sake, and good, bad, or indifferent, it is surely vital to get to the bottom of the conspiracy, and bring the villains to justice, if only at the bar of history. Let the chips fall where they may. One happy result of the film was the conclusive Stoneian argument: if everything is on the up and up, why not open up all the secret government files on the assassination? It looks as if the pressure for opening will win out, but once again, phony "national security" will prevail, so we won't get the really incriminating stuff. And some of the crucial material is long gone, e.g., the famed Kennedy brain, which mysteriously never made it into the National Archives. Murray
N. Rothbard (1926–1995) was the author of Man,
Economy, and State, Conceived
in Liberty, What
Has Government Done to Our Money, For
a New Liberty, The
Case Against the Fed, and many
other books and articles Copyright
© 2007 Ludwig von Mises Institute |
