Cool & Strange Music Vol. 2, Number 8
by
Mike (in Tokyo) Rogers
by Mike (in Tokyo) Rogers
Okay,
now I’ve had it. My last few Cool & Strange Music articles got
me blasted by a bunch of readers with comments like:
"Strange?
Yes. Cool? No."
"Definitely
not cool. How about the new album by Bon Jovi? Now, that’s some
hot music."
"Since
when did you stop Rock’n’Rollin’ and start on the adult diapers?"
Yes.
Yes, how amusing. How very droll, indeed. But that Bon Jovi comment
has just about got to be the bottom of the barrel. Bon Jovi? I have
never bought a single Bon Jovi recording in my life. In fact, I’ve
never even listened all they way through a Bon Jovi song to the
end. Although I have noticed a few LRCr’s recently actually having
the guts to admit listening to, er, "rock classics," like
the Eagles, Foreigner, or Journey – Yeech! I have a hint for you
folks, if you want to stay cool, you won’t admit listening to that
– to put it mildly commercial pabulum (ahem) to anyone. Oh, and
hide those CD’s when friends that you wish to impress might want
to come over. Those bands are not cool; they never were cool; they
never will be cool; and they are about as un-cool as they can get
– and that’s pretty bad. So keep it under your hats. It’s one thing
to promote individuality and Austrian economics and self-government
– so good so far but it seems a tad bit ridiculous if while doing
so, you’re damaging your brain listening to the Hit Parade of Hades.
Well that is, unless of course, you are listening to some great
rock with cool lyrics like this:
Wake up in
time to see the sun going down
Turn on the six o'clock news
See what's happening in this town
I take a walk down to the corner
I meet those bad girls hanging around
Never doing what they oughta
Ooh yeah,
I get caught up in the action
Gotta find the main attraction now
Gotta get some satisfaction
You better take me to the heart of that…
Let’s
see here: Down, town, around…. Action, satisfaction, that… Well
at least it rhymes in a sideway sort of manner. Anyhow, that’ll
be enough of that – we immediately terminate the stereo with extreme
prejudice – and get back to the cool music. (By the way, if you
know the name of the above song and artist who "performed"
it, write to me and I’ll never speak to you again.)
But
what am I if not a delicate (but strict) teacher to you, the gentle
reader who wishes to become knowledgeable in coolness? I’ve been
saving the best for last but since getting hammered by readers over
the last several issues of this column, the kid gloves come off
now.
Heavy
Classix – Various Artists
$10.98
Okay,
here’s the scene: You and your friends are out on an anti-stately
evening enjoying the panoramic view of the city lights and wish
to take in an evening of fine wine and song when some huge black
Dodge van pulls up at the red signal blasting away the latest by
Heavy Metal band, The Long-Haired Screaming Headless Torture
Chickens. The guy driving the van looks like some Hippie from
some 1970’s made-for-TV movie. He’s got a long beard, the requisite
"Mom" tattoo, and looks like he hasn’t washed his hair
or brushed his teeth in weeks. Next to him, sits his "old-lady"
who looks tough enough kick all of our derrieres by herself – with
one hand tied behind her back. The lead vocalist is screaming out
some Death-Metal from Dantes and Mr. Hippie turns the volume knob
just up a tad to eleven as they pull next to your just washed car.
The
noise screams in from the window like an F-16. You look out and
have eye contact with the savage and he gloats, gold front tooth
glinting in the light. What to do? Well, to roll up your window
and ignore him would not be a very neighborly thing to do, now would
it? What would Miss Manners do in this case? I know. Miss Manners
would gently remove this CD from the casing, insert it into yon
CD deck, and put the volume on full blast while lightly opening
her window giving our long-haired friend a hellacious blast of Wagner.
Trust me. They won’t know what hit them!
You
see, dear reader, you must understand the beast if you wish to tame
him. Most of these metal-heads think that a four-piece band with
Marshall amplifiers stacked to the ceiling can roar (no doubt they
can) but nothing can roar like a full ensemble symphony orchestra.
Where do you think these heavy metal bands get their inspiration
in the first place?
This
is the best collection of invigorating symphony classics ever assembled.
Whether for driving a car, a brisk morning eye-opener, or an unforgettable
evening about town; this CD is for you. 15 classics of the classics
from Wagner to Tchaikovsky, Stravinsky to Borodin; you get these
greats, The Valkyrie; 1812 Overture; The Damnation
of Faust; The Planets; Symphonie No. 1 In D "Titan";
The Firebird; and many more! You must have this CD.
Tone
Poems – Tony Rice & David Grisman
Sale
Price: $14.99
Sometimes
readers write to me and challenge me to tell them what kind of music
I really listen to – I mean really listen to for my pleasure
and relaxation. Well, I often like Perrey
Kingsley, but when I’m not in the mood for that or classical
music, then I am in the mood for some real musicianship and some
fantastic sound quality. Tone Poems is that music.
This
is the perfect album for relaxing on a Sunday morning. Imagine yourself
on a beautiful summer beach without a care in the world. Throw in
a few drinks and a barbeque cracklin’ nearby and you can just smell
the relaxation with this CD. Rice and Grisman are the tops in their
fields when it comes to modern guitar and mandolin collecting and
playing. The instruments used on this album are the originals –
models built around the turn of the 20th century – and
do they ever sound amazing. The tuning for instruments of that time
is different than what is the standard today and it comes out in
the most beautiful music that this album features. And what better
musicians to play those instruments than these two guys?
I
dare anyone who loves beautiful music and the nostalgia of the old
days to give this album one listen and not tell me that this is
one of the finest CDs ever made.
Beethoven's
Wig: Sing Along Symphonies
Sale
Price: $11.99
About
25, 30-some odd years ago, someone wrote a book that spoke about
the problems of modern-day parenthood. The main idea of the book
boiled down to: If you don’t have quantity time to spend with your
kids, spend quality time. This idea was all well and good, but it
is wrong. The problem is, from a child’s eyes, all time spent with
a parent is quality time – it doesn’t matter what you are doing
together. Parents (especially American dad’s) mistook this idea
as a way to allow them and be lazy in regards to their child. It
allowed them to rationalize the notion that they could get off the
hook of spending real time with their kid by spending money on the
little time they did spend together. Nonsense. Quality time does
not mean relieving your laziness and guilt by spending a bunch of
money by allowing your kids to run amok at Aquarium World on the
weekends. Read a book to your child every night; sing songs with
them. Now that’s quality time.
To
prove that I am right and the creator of this quality over quantity
idea when it comes to raising children is wrong, comes with just
a look around you.
And
don’t think your child doesn’t want to do that or you don’t have
energy for it. Heck, most 1-year-old kids will get bored after 15
to 20 minutes of book reading, so just do it. And when you don’t
have hands free to read a book, put on this CD and sing along with
your kid.
Beethoven's
Wig, Vol. 2: More Sing-Along Symphonies
Sale
Price: $11.99
Look
at that dumb kid. Would you just look at ’em? You know who I mean
– the neighbor’s brat. Do you want your kid winding up like that?
I didn’t think so. What a dumb kid. If your kid is between 1 month
old to 2½ years, do yourselves a favor and pick up this CD too while
you’re buying Beethoven’s Wig. The liner notes on these CD’s speak
for themselves:
Beethoven’s
Wig Sing Along Symphonies are zany stick-in-your-head lyrics
set to the greatest hits of classical music. Filled with fact
and fancy about the world’s most notable composers and their
masterpieces, each Sing Along Symphony opens the door to "serious
music" in a way that’s fun. As a bonus, the orchestral
performance of each classical piece is included without lyrics.
Sure
this is a bit dorky music. But all mild mannered and intelligent
kids are dorky outsiders nowadays. Buy both of these CDs. If you
have kids, or know someone who does, in a few years you’ll all be
glad you did.
Thomas
the Tank Engine: The Complete Collection (Railway Series) (Hardcover)
W. Awdry
Super
Sale Price: $24.99 (Regular Price: $124.00!)
Now
that we are talking about spending time with your kids and raising
them not to be morons, I’m going to brag about my son. Thanks to
some wonderful advice from Linda
Shrock Taylor (as well as shutting up when my wife decides something)
I am proud to announce that my son could sing the entire ABC Song
– as well as say the individual letters in a random order – and
speak sentences when he was only 18 months old. Not only that, he
now can read the entire Japanese Hiragana alphabet (50 letters)
at 1 year and 10 months old… None of his friends, even ones who
are 6 months older than him can, do that.
His
friends all are still stuck with saying one word like, "Mama,"
etc. But my son says stuff like "Let’s go to the park."
As one of my Japanese friends who graduated from London University
said when he witnessed for himself my son’s ability, "That’s
almost frightening."
How
did this happen? How can you help your child or a loved one’s child
do the same? I think I know the answer. I wrote to Linda Schrock
Taylor to ask for some advice on what kinds of books to read to
6-month-old children. Linda actually wrote back to me and recommended
"series" types of books. She said, "Small children
just love repetition." And was she ever right on the money
with that advice!
Thomas
The Tank Engine And Friends – The Early Years (3-Disc Set)
Sale
Price: $31.98
We
started our son on Baby
Signs from about 3 months old. Then I went to reading simple
books to him from 6 months old. The times my hands weren’t free
(like when I was washing dishes or whatever) I allowed my son to
only watch videos – No TV! The video that we started off with was
– the logical choice considering Linda’s advice – Thomas The Tank
Engine. I chose this particular DVD because I am a huge fan of Richard
Starkey (Also known as Ringo Starr). The later versions of Thomas
are good too as they feature either George
Carlin or Alec
Baldwin but, being an oldie, I like the originals best, so I
stuck with Ringo. I think it’s also a plus to have your child hearing
proper English with a proper accent that sounds, how do you say?
Refined.
Thomas
is to kids today what Mickey Mouse was to us. Check it out and you’ll
be amazed at the magical attraction Thomas has with your youngster.
Thomas
The Tank Engine: All Aboard With Thomas! (Comes with a toy, too!)
– Various Artists
Sale
Price: $24.49
Then,
a few months later, when your child is old enough to understand
and to play by themselves without screaming that mommy is not around
(about 8 months), throw this CD on and watch your child as they
start to sing along by themselves and learn to speak.
You’ll
find yourself singing along too as the songs are all wonderful and
very catchy. Some of the songs I’ve thought that some big British
rock band should cover. They are just that good.
Bach
2000: The Complete Bach Edition (Includes Commemorative Book) (Box
Set)
List
Price: $1,199.98
Oh
my God! Would you look at this box set? A thousand dollars, and
then some, for a 153-CD box set? Let’s see, that works out to about
$7.83 per CD (a good deal) but still, that’s a mighty impressive
collection. Wow! Someone must really – or know someone who really
likes Bach to buy this! I guess I’d only buy this for someone
I really cared for and only for an unforgettable Christmas present.
Let’s
check it out and see what Amazon has to say (and they’d better have
a lot to say about this ultra-amazing CD collection):
The
Bach renaissance which began in earnest in the early 19th
century thanks to the efforts of Felix Mendelssohn and others
inspired an endeavor of far-reaching significance. It led
to the founding of the Bach Society in 1850, with the goal of
gathering and publishing the composer's complete works, and thus
set into motion one of the great projects of musical scholarship.
That effort has continued and been refined throughout the 20th
century, ultimately influencing not only our perception of how
to perform early music but fundamental ideas of musical history,
evolution, and reception as well.
Teldec's mammoth Bach 2000 box set represents a kind of culmination
of that original attempt to come to terms with Johann Sebastian
Bach's unparalleled legacy. This set brings together performances
recorded over the last several decades a small percentage
of the recordings are previously unreleased of all the
extant works determined by modern scholarship to be authentic.
There are also some pieces the authorship of which is still in
question and a few now deemed "inauthentic" but familiarly associated
with the composer. Bach was a prodigious reviser of his compositions,
and alternate versions of a particular work have been included
"where the changes seemed sufficiently important," such as the
glorious Magnificat. No doubt manuscripts will continue to be
unearthed here and there in various archives (Bach 2000 contains,
for example, the "Neumeister chorales," which were rediscovered
in 1984), but the set does not represent the many fragments of
music that consist of just a few bars; however, there are some
reconstructions of lost concertos (such as one for three violins
reconstructed by Christopher Hogwood from an extant concerto for
harpsichords).
Of course a truly comprehensive recorded edition of every note
Bach wrote remains a utopian impossibility about one-third
of his cantatas, for example, have not survived. Even so, the
dimensions of Bach 2000 are staggering. With its 12 boxes
comprising 153 CDs, the set can be compressed into fewer
boxes to save shelf space yet is still about ten times as long
as the Ring
cycle. (It should be noted that the packaging using thin
cardboard sleeves for the CDs is distinctively unattractive.)
That adds up to just under 160 hours of music but
a lifetime of discovery. Each box (grouped according to genre)
contains a booklet with excellent notes on individual works and
for all the choral works texts and translations.
Tracking indexes are useful and thorough. Also included is a profusely
illustrated hardbound volume of 24 Inventions, in which journalist
Wolfgang Sandberger uses the composer's biography as a peg for
some enigmatic and fascinating musings on the meaning of Bach
today.
The presiding philosophy behind this project and its approach
to musical interpretation can be largely ascribed to Nikolaus
Harnoncourt, a true musical pioneer and galvanizing force of the
"period performance" movement. Harnoncourt's epoch-making
recordings of the sacred cantatas (using, for instance, boy
sopranos and choristers according to the practice in Bach's time)
with the Concentus musicus Wien and colleague Gustav Leonhardt
comprise the first four volumes here (those who already own them
can turn to the Bach 2000
Light edition, which contains everything sans the cantatas).
These recordings which were not remastered for this set
have long been controversial and are notably uneven, embracing
some magnificent accounts as well as others that lack fire and
seem clearly underrehearsed. But Harnoncourt is one of the most
fascinating conductors of our era, and his interpretations amply
bear out his assertion: "I have never felt that Bach worked in
a routine manner, that he repeated himself in his works." Harnoncourt
who has articulated many of his ideas in his book The
Musical Dialogue displays his gifts as a cellist in
a remarkably probing performance of the Cello Suites (originally
recorded in 1965) and in his concertizing for a number of chamber
works. For the St. Matthew Passion, you get Harnoncourt's
groundbreaking
earlier account from 1970, while his 1986 recording of the
sublime B Minor
Mass is also represented here (the St. John Passion included
is Harnoncourt's 1995
account).
Other artists included are colleague Gustav Leonhardt, whose thoughtful
if occasionally dry harpsichord artistry is heard in the Goldberg
Variations as well as in the concertos and chamber music. The
harpsichord is in fact used throughout in preference to piano
for the keyboard works. Ton Koopman (himself the conductor of
an ongoing complete cantata
series and of the Easter
Oratorio included here) performs the organ works, including
some newly recorded offerings, while Il Giardino Armonico's well-known
high-energy
account represents the Brandenburg Concertos. Violinist Thomas
Zehetmair is exceptionally compelling in the unaccompanied sonatas
and partitas, and the Concentus musicus Wien again under
Harnoncourt perform a superb Musical Offering that richly
repays frequent listening.
The result of Bach 2000 as a whole is an aptly encyclopedic grappling
with the infinite legacy of this most compendious of composers,
whose works are on one level a summation of all the styles available
to him. Bach was once thought to represent a "terminal point"
(to use Albert
Schweitzer's famous formulation), the end of an era; today
he is at least equally recognized as a fertile source of inspiration
for composers since. To be sure, individual recordings of particular
works will be found to be preferable, and it would be misguided
to consider Bach 2000 any kind of "final" or "definitive"
word. Instead, it's an indispensable starting point that represents
a monumental achievement for our own contemporary understanding
of Bach.
This
CD collection is for serious music lovers only. And get this, gang,
there is only one box of these left in stock, so it is selling well
– a heck of a lot better than my
book.
Art
of Japanese Koto, Shakuhachi and Shamisen – Yamato Ensemble
Price:
$14.98
If
you are interested in World Music but don’t know where to start
(a common problem) then I can direct you to this CD for traditional
Japanese chamber music. This CD features music from the main musical
instruments of traditional Japan, namely the Koto, Shamisen, and
Shakuhachi. Of course, all of these instruments originated in China
during the Golden Age known today as the Tang
Dynasty but made their way to Japan and now they are a lost
art in any country except Japan.
The
sound quality of this CD is excellent and the musicianship superb.
Click
here for a free sample listen. The music is mesmerizing and
quite relaxing. Put this CD on and close your eyes and be taken
away to old Japan. I have to admit, that this is the only CD that
I can recommend for you folks that are interested in the enigmatic
and intriguing sounds of the way Japan was 150 years ago. A lost
art, but not a lost CD Pick one up while you still can.
Japanese
Children's Songs [Import] – Mizuyo Komiya
Price:
$40.49 (With free shipping!)
And
while we are there, I’d like to strongly recommend this CD too.
The title is Japanese Children’s Songs, but don’t be fooled
by that. This also is a relaxing collection of traditional Japanese
music heavily relying on the Koto – with some equalizing to make
it even more enjoyable and accessible to the uninitiated and adults
too. The music is lilting and smooth. The sound quality is world-class
and the musicianship is tops. This album sounds more typically like
the kind of background music that you’d expect to hear in a Sushi
shop or traditional Japanese restaurant or at a Zen master’s residence.
To
get a taste of what this music sounds like, and how it will melt
even the hardest of hearts, click
here. I suggest you give a short listen to track number two,
Furusato, to hear what this music is all about. Furusato
means "hometown" in English and this particular track
may remind you of what life was like in Japan during the heyday
of the Samurai. Anyone with even a passing interest in Japan needs
this CD for everyday meditation, relaxation; and for creating that
special mood of natural bliss.
Satie:
Gymnopedies Gnossiennes – Jacques Loussier
List
Price: $18.98
Do
not be fooled by the record jacket! This is jazz. This album is
my cool, soft jazz pick for today. Jacques Loussier may not be all
that well-known to you, but in the music world, he is legendary.
He
was born in France in the mid 1930’s and was a piano prodigy by
the age of ten. In the late 1950’s Loussier decided that he could
make a splash on the international scene by combining jazz music
with classical (unheard of at the time) and it was a smash success.
In
fifteen years, the Jacques Loussier trio sold over six million albums.
He was so influential to rock music and its innovators that he also
hosted musicians in his studio in Nice, France. Among the more famous
include Pink Floyd, Elton John, Sting and Yes.
Well,
that’s all for this edition of Cool & Strange Music. I suppose
these great CDs ought to keep you busy until next time. Don’t forget
that Christmas is right around the corner and with gas prices going
up like they are (you just know that gas will not be cheaper in
November) it’s a good idea and smart to get at least some of your
shopping out of the way. Don’t
forget that if you order over $25 of items at once, you are eligible
for free shipping. So what are you waiting for? Be cool and save
money now.
October
8, 2005
Mike
(in Tokyo) Rogers [send
him mail] was born and raised in the USA and moved to Japan
in 1984. He has the distinction of being fired from every FM radio
station in Tokyo – one of them three times. His first book, Schizophrenic
in Japan, is now on sale.
Copyright
© 2005 LewRockwell.com
Mike
(in Tokyo) Rogers Archives
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