You Can Take That Picture…Today, Anyway
by
Justine Nicholas
by Justine Nicholas
DIGG THIS
Leave it to
the damned New York City Mayor’s Office of Film, Theatre and Broadcasting
(MOFTB: Doesn’t it sound like someone cursing in a text message?)
and those persnickety civil libertarians to destroy my dreams of
wealth and grandeur!
You see, I
was all ready to quit my day job and become an independent businesswoman.
I was going to cash in insurance policies on which I’ll probably
never collect and teach my cats tricks that would’ve wowed the reception
hall crowds so I could follow what would’ve been the best business
idea in the history of the Big Apple.
Best of all,
this plan wouldn’t have involved stocks, bonds, real estate, lotteries
or inheritances I didn’t know I had. All it would’ve taken was my
love of this city and my slightly-better-than-layman’s understanding
of the visual arts.
So what was
my grand scheme?, you ask.
I was going
to open up a postcard stand next to the Chrysler
Building, my favorite structure (along with the Brooklyn
and Verrazano-Narrows
Bridges) in this fair metropolis. Of course I would have stacked
and sold those 3-by-5 images of spotless skyscrapers glistening
against azure skies with a turquoise-hued Hudson as a backdrop.
I also would have offered films, videos and DVDs of the landmarks
tourists visit and copies of famous films like The
French Connection, Midnight
Cowboy, Breakfast
at Tiffany's and Taxi
Driver that use the one or all of the five boroughs as their
subject or setting.
Just think…I
could’ve grown rich and fat (Well, I’ve already accomplished the
latter!) from the wallets and purses of tourists bearing pounds,
euros and other currencies that make the dollar look like the paper
tiger it is.
So what happened?
Bowing to pressure from the American and New York Civil Liberties
Unions, the MOFTB is "redrafting"
a new set of rules that, had they been enacted, would have placed
greater restrictions than the current ones that bind photographers,
film and video makers, television producers and other kinds of artists
and journalists.
The proposed
rules would have required city-issued permits for groups of
two or more people who wanted to work at a single site for more
than thirty minutes, or for groups of five or more who wanted to
set up a tripod for ten minutes or more. On one hand, the city issues
the permits for free; on the other, anyone who wants such a pass
has to have a million dollars’ worth of liability insurance coverage.
To be fair,
there are provisions for film students and others who don’t have
access to such insurance coverage. And, the MOFTB insists that they
are not trying to keep tourists and amateur photographers from capturing
their impressions of the Empire State Building or of little Hans
or Madame Izumi posing between Patience
and Fortitude on the steps of the New York Public Library.
Was the MOFTB
naïve or disingenuous in making such a claim? Granted, it’s
likely that the vast majority of photos taken are of the "shoot
and run" variety and will not be seen by anyone but relatives
and friends of the photographer. But among the throngs of tourists
are significant numbers of people who, while not professionals,
take great care in the way they compose their photos. They may use
tripods; very often they are in groups of five or more, and they
often linger where they are taking their photos. Then there are
any number of hobbyists who expend considerable time, care and sums
of money in trying to record people and places as they see them.
I often see such photographers along the city’s waterfront, in its
parks and around buildings, public sculptures and other structures
that don’t look or feel like their counterparts anywhere else. To
my knowledge, they are the only ones who capture such things as
the oddly bucolic feeling of Wall
Street or the Brooklyn
and Bronx
manufacturing zones on a Sunday.
Perhaps the
pictures tourists and amateurs snap don’t enhance the city’s image
or enrich its bureaucrats. Still, they are a vital part of life
in this city, and hindering them would be an offense to anyone who
enjoys the life, if not the politics, of this place.
Hopefully,
the next draft of the MOFTB regulations will be more sensible than
what was proposed. (I’d prefer no regulations, but I guess we’ll
take what we can get.) For that I’d be very happy to give up my
grand scheme to make me rich and to spend my life writing, teaching
and scholaring. Tough work, but as we say in my neighborhood, somebody’s
gotta do it.
August
7, 2007
Justine
Nicholas [send her mail]
teaches English at the City University of New York.
Copyright
© 2007 LewRockwell.com
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