Franco
by
Christopher Manion
by Christopher Manion
Thanks
to
Myles Kantor, we read about a recent "biography" of Bill Clinton.
The poor author, no doubt knee-deep in swill, remarks about Franco’s
"archconservative" Spain that our wandering Rhodes scholar found
it "as awful and as stifling as the Soviet system Bill Clinton had
encountered in Moscow and Prague."
Now
the poor chap who wrote this clearly decided that he was going to
be dealing with a lot of lies, a genre Clinton made into a new paradigm.
Sadly, however, the biographer has been infected with the Clintonian
fiction gene. That is, he possesses an irrepressible urge to make
things up. In this case, he has a lot of leftist and anti-Catholic
company.
I
worked in Spain in 1976, the year after Franco’s death, and traveled
there from the 60s to the 90s. I did not visit the Soviet Union
until 1991, on the last May Day of Gorbachev’s reign, because I
never would have gotten past the KGB’s visa screeners (as Bill Clinton
obviously had – hmmmm….). Of course, Spain required no visas, and
in 1976, the year I lived there, I recall there being 37 million
tourists and a population of 36 million.
I
remember having to get a "work permit" for me and my American piano
player. We went to the U.S. Consulate in Valencia, filled out some
innocuous forms that identified us as "musicians," that we would
later hand over to the Spanish somebody-or-other.
The
American State Department chap cheerfully helped us along, gave
us our required slips of paper, and then asked, affably: "So what
do you really do?"
Let’s
see, where was I. Ah, yes. As a rule, Franco left you alone, as
long as you didn’t dabble in politics. And you wouldn’t want to,
with the likes of scum like the corrupt "Olympian," Juanito Samaranch,
and the other third-rater hangers-on elbowing each other around
in the relatively harmless political sandbox. The place to be was
business, which Franco gave a relatively free hand. The universities
were full of leftists (just like all those right-wingers at Moscow
U., right?), and, most importantly, you could leave whenever you
wanted to. When I lived in Mexico, I had many Basque friends who
had done just that. They had moved to Mexico after Franco defeated
the communists in 1939 (he did not stop them). They found Mexico
corrupt (Spain was not), virulently ideological (Spain was not),
racist (Spain was not), and anti-business (Spain was not).
In
the 1950s, The United States State Department, in the wake of stalwarts
like Alger Hiss, was in the thrall of the "Abraham Lincoln Brigade"
mentality of the communist party "volunteers" that fought Franco
in the 1930s alongside the Stalinists. So Eisenhower was urged to
"move things along" in Spain, and sent envoy Vernon Walters, who
would in the 1980s represent the United States as ambassador to
the U.N. and to a reunited Germany, to see Franco. Walters knew
Franco would brook no flim-flamming.
After
some pleasantries, Franco changed the subject: "You have been sent
to find out what I have planned for my succession. This is what
you can tell your president: when I am gone, I will leave a Spain
that has a restored monarchy (Alfonso XIII had fled in 1933), a
professional army subordinate to the civilian democratic government,
and a strong and vibrant middle class."
Franco
delivered on all three. When I lived in Spain in 1976, July 1 was
a widely anticipated "turning point" in the developing democracy
(Franco had died the previous December). The conniving third-raters
who were running the "post-Franco democracy" show decided to really
teach the Spanish people how free they had become. Following the
pattern of MacArthur in Japan and Garner in Iraq, the Spanish people
were treated to – pornography! I will never forget my medical-student
friend coming over to tell me, a twinkle in his eye, about this
auspicious epiphany of Spain’s budding democracy: "Marisol, Desnuda!"
Marisol, the Brittney of her Spanish day, in the nude, was featured
on the cover of the country’s largest weekly magazine.
Spain
had arrived.
Spain
after Franco featured a lot of Angst engendered by the prevailing
socialism of the European scene. Somehow, all sorts of leftists
had survived Franco’s "Soviet tyranny" that Boy Clinton had bemoaned.
In politics and culture, they emerged to harmonize with the international
Franco-haters to demand more "freedom." Many Spaniards did not want
to have to go around apologizing for Franco as though they
would have to: he kept Spain neutral in World War II, driving Hitler
nuts; and he recovered from the civil war’s carnage of 193639
without any foreign aid – even though the Soviets had shipped the
Spanish gold reserves to Moscow during the war.
The
long-standing leftist tradition of hatred of Catholic Spain was
very carefully laid out by Professor Philip Wayne Powell in his
classic Tree
of Hate. Socialist Europe would undoubtedly have preferred
a Soviet Franco, who could do to Catholic Spain what FDR’s treachery
allowed to happen to the Catholics of Eastern Europe after World
War II – which Arthur Schlesinger, Jr., actually had the gall to
praise ten years ago in the Wall Street Journal as a small price
to pay for "winning" the war.
When
I lived in Spain, I could not find black bread anywhere. "Too many
years of black bread, because we couldn’t afford white bread," a
friend explained. Yes, Spain was impoverished in the 40s and into
the 50s, like the rest of Europe. To the left, Franco was a "fascist"
because the left called all of its enemies "fascists," since
conservatism abounds in true diversity, while the left congeals
like sludge around the constant lust for power. Augustine, in his
City
of God, had long before pointed out the burning desire of
the City of Man for "power over one’s equal." The left’s attempt
to take over Spain failed under Franco, and they’ve never forgiven
him for it. Evidently, Bill Clinton hasn’t either.
October
21, 2003
Christopher
Manion [send him mail] is
president of Manion Music,
LLC, which produces copyrighted, royalty-free music collections
for telecommunications media and commercial and hospitality sites
that use background music or music-on-hold. He writes from the Shenandoah
Valley.
Copyright
© Christopher Manion 2003. All Rights reserved.
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