The Permanent Things
by
Paul Hein
by Paul Hein
DIGG THIS
I like art.
Perhaps that sounds pretentious; let me put it another way. Beauty
is attractive, and art is about beauty – and truth. I find that
it calls to me ever more enticingly as the years roll by. What’s
not to like? And I don’t limit myself to "fine" art. Fine
craftsmanship has an equal appeal. The craftsman applies esthetic
principles to practical objects. Wonderful!
But what I
like about art, besides the beauty, is the fact that it is utterly
unimportant. I am not especially fond of ballet, for example, whereas
many others rhapsodize about it. But so what? It makes no difference.
You prefer Chippendale; I like Queen Anne. Are we going to fight
about it?
Arnold Schoenberg’s
12-tone scale leaves me not just cold, but with an intense desire
to plug my ears; his fans – I assume he has them – can’t get enough
of the stuff. So they can listen to it to their hearts’ content,
and I can avoid it whenever possible. But the sun continues to rise
in the east, and no harm comes to us from our diverse tastes.
You might,
if your strength is as the strength of ten, remark, at an exhibit
of the works of Kandinsky, that you prefer Norman Rockwell. But
words directed at you will never hurt you – at least physically
– and you will survive withering glances. (You might even find a
few people surreptitiously whispering "I do too.") But
your dog, and perhaps even your wife, will continue to love you.
Your roses will bloom anyway.
Prefer Rodin
to Calder, or vice versa. No one will attempt to seize your property,
or imprison you. You will not even risk being charged with a hate
crime, or hurtful speech. The Rodin (or Calder) groupies will not
seek damages for their wounded feelings. Isn’t that wonderful! (Or
maybe it simply reflects the fact that the aesthetes are not as
politically sophisticated and organized as other minorities.)
Paradoxically,
though, I find that as I age, art, while supremely unimportant,
becomes more and more important to me. It is precisely its unimportance
that makes it so significant.
When I was
younger, I burned with resentment at the flagrant injustice in the
world. It still rankles me, but with less urgency. I no longer flatter
myself that I can do anything about it. The Beatitude has assumed
new meaning for me: Blessed be those that hunger and thirst for
justice! The blessing is upon those who hunger and thirst, not necessarily
achieve. The lesson, so slowly and painfully learned, is that justice
may be too much to expect in this world, except occasionally, or
by accident.
Society is
disintegrating around me, and I know the causes, and could do something
about it. I’m not bragging; you could probably say the same. But
I couldn’t do it alone; we’d have to work together. Ultimately,
we’d have to establish some sort of organization that would be powerful
enough to compel respect for the law and individual rights. In other
words, a government! Good grief! I know better than that! How many
times have I said that power corrupts, inevitably, yet to remedy
the corruption of today, we would need power that would corrupt
us tomorrow.
Evil can best
be fought by moral suasion, not physical force, or the threat of
it. Those who would reform the world ought to begin by reforming
their own lives. That would seem like a job for the churches, but
they don’t seem terribly interested in doing it, preferring bland
social programs, more appropriate to the Boy Scouts, to spreading
the word of God.
So beauty beckons!
I do indeed hunger and thirst for justice, but expect injustice.
Perhaps I might rouse myself to write an occasional letter to the
editor, but will spend more time learning to play the piano. Maybe
I can truly master at least one simple piece. Beethoven beats Bismarck.
Both men are remembered: Beethoven for giving the world – or at
least those who care – beauty, while Bismarck imposed his will on
all under his influence, whether they cared for it or not. If you
didn’t like Beethoven’s music, you could walk away from it. (But
if you did, you could spend your life performing/appreciating it.)
But if you didn’t care for Bismarck’s works, too bad! Bismarck’s
will be done, like it or not.
There are plenty
of laws, and plenty of guns and bombs. Have they made human life
richer and more rewarding? If we are sickened by the corruption
that surrounds us, shall we try to right things with still more
laws, and bigger and better guns and bombs? That’s one way, but
it’s been tried and found wanting. I prefer passive resistance.
I don’t expect to win a great victory, but only, perhaps, a small,
quiet one. The secret to reforming the world may lie in sublimating
one’s passion for social justice into a search for personal perfection.
Don’t tell
me that for evil to triumph it is only necessary that good men do
nothing. No one "does nothing." Even a person in a coma
provides an opportunity for a caregiver to perfect himself or herself.
Removing the mote from one’s own eye is not doing nothing; it is,
on the contrary, the first step in a revolution that could turn
the world upside down, if enough of us did it.
I recall a
teacher (was it Aristotle?) telling us, in college, that art was
"anything done well." Let each of us mind his own business,
and do what he does well, making us artists! Life could be simple
and sweet, and no one need be hurt.
Let the revolution
begin within!
April
24, 2007
Dr.
Hein [send
him mail] is a retired ophthalmologist in St. Louis,
and the author of All
Work & No Pay.
Copyright
© 2007 LewRockwell.com
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