The Lyin’, the Bush, and the War Crime
by
Anthony Gregory
by Anthony Gregory
Every once
in a while, a new film comes out that explores themes of good and
evil, of sin and virtue, of eternal conflict and universal values.
And then someone will inevitably distort the message in promotion
of his favored project of licentious criminality.
I expect that
warmongers, especially on the religious right, will feel tempted
to see The Lion, the Witch, and the Wardrobe as some sort
of vindication of the U.S. war on terror. Many leftist critics of
the religious right and the war will similarly see a connection.
There is a connection, but it’s not what they might think.
The Lyin’
In the film
as well as C.S. Lewis’s novel, the lion Aslan is the Christ figure,
the symbol of pure goodness. He forgives Edmund after the young
boy betrays his siblings, and then Aslan sacrifices himself to save
the boy. The lion is the one that leads the protagonists to victory
against pure evil.
I suppose that
some see in him the likeness of the president of the United States.
But the similarities are none. Our president is not a lion, but
he is surely always lyin’.
Would Aslan have misled his people to take them to war and then
kept them in a state of war until some vague "victory"
was achieved?
The president
does not seem to have a penchant for forgiveness, although he appears
to expect an endless supply of ours. He is always talking about
sacrifice, but this war is his lifeblood; it is difficult to conceive
of a single thing the president has himself sacrificed for his war.
The Bush
Indeed, George
W. Bush is a lot more like the white witch than the lion. Now, clearly
there are some differences here, too. The witch is a sexy and seductive
woman with magical powers. She can also speak in complete sentences.
But there are
some similarities. In defiance of traditional symbolism, the witch
is cast in white, not black, so as to demonstrate the illusive and
deceptive nature of evil. It is not always as it appears. Sometimes
the evil witch presents herself as generous. Sometimes a conservative
presents himself as compassionate. The contradictions emanate from
the contradictory, irrational nature of evil itself.
The witch’s
magic is an illusion. She can make hot cocoa or Turkish Delight
out of a dash of magic potion and a handful of snow, but it will
soon evaporate like the promises of a politician. Politics, too,
is an illusion. It cannot create good. It can only shift resources
around. It can only force people to do or not do something contrary
to their will. It can only destroy.
President Bush
offers a seductive promise to many millions of Americans. He promises
stability and security, as well as a mess of pottage. We have seen
over the last five years the already flawed conservative movement
sell the last of its soul and betray its most important declared
principles – and for what? For sweeties.
The War
Crime
The creatures
of Narnia fighting off the evil forces of the witch are involved
in that rarest of enterprises: the just war. According to Christian
just war theory – or, for that matter, libertarian just war theory
– the conflict is just on the side of the woodland animals, the
good mythical creatures and the four human children. They have just
cause with a just objective: the totally defensive resistance
to the witch’s tyranny. Their resorting to war is proportional
to the threat: if they submit to the witch, she will enslave
them all and turn many to stone. With the determined leadership
of Aslan and Peter on their side, they have attainable objectives.
They give plenty of fair warning: in fact, they are standing
there peacefully when the witch’s forces invade; there is no surprise
about it. They go to war only as a last resort, to save Narnia
from the impending totalitarian rule of the witch. And last but
certainly not least, they pick just targets. They do not
attack anyone but the aggressors. They have no use for the ugly
concept of "collateral damage."
Furthermore,
the good guys in The Lion, the Witch, and the Wardrobe are
fighting there purely by choice. Everyone appears to have the right
to leave. There is no draft or stop-loss order. Under Aslan’s leadership
and care, people’s rights are inalienable. They also do not tax
anyone else for their war. Very, very few wars in the real world
approach this level of justness. Very, very few wars in the real
world are just.
As Laurence
Vance has made exceedingly
clear, the U.S. war in Iraq fails the just war test. The U.S.
war in Iraq is an aggressive war. The U.S. is the aggressor nation.
Aggressive war is a war crime. War itself is a war crime, unless
when conducted purely defensively against an invasive or oppressive
power and with total deference to the rights of civilians and neutrals.
Even a just war is not glorious; it is an enormity. C.S. Lewis’s
war is not portrayed as a glorious way to stomp around the world
spreading freedom, but as a calamitous event even when undertaken
in defense of life and liberty.
If we want
to see parallels in the story with modern times, we see at the end
an aggressive war waged by the witch in Narnia and at the beginning
an aggressive war waged by the Nazis in England. The witch at least
only fights combatants. The Nazis dropped bombs on civilians. Bush’s
war isn’t as intentionally murderous as the strategic bombing conducted
by both sides in World War II, but it appears even less concerned
with killing only combatants than does the witch’s war! However,
the witch doesn’t take war prisoners, whereas the U.S. government
is more than happy to take war prisoners – lots of them, even ones
who might have nothing to do with the war.
Warmongering
and the Silver Screen
When the religious
right saw movies like The
Passion of the Christ or even The
March of the Penguins and concluded that, in general terms,
modern society had lost its way and it was now time to return to
the basics of Christian morality, there was little to argue about.
More precisely, there was little to argue over. In suggesting
a return to traditional morality in general terms, no one was suggesting
a reliance on violence to bring it about. No one seemed inspired
by The March of the Penguins to put a gun in a heathen’s
belly and force him to reject gay marriage.
Movies with
grand conflicts between good and evil on the battlefield, on the
other hand, stir up Manichean passions for war in the real world,
and are invoked to justify militarism and imperialism. Soon after
the first Lord
of the Rings movie came out, I recall Bush saying something
about how the hobbits fighting against evil reminded him of U.S.
forces fighting for freedom in the Middle East. We can only expect
many of his partisans to watch Narnia and see more evidence of the
righteousness of waging war such as the United States is doing.
C.S. Lewis’s
main political value, as I understand it, was apolitical: it was
the natural law. That politicians exploit such principles for their
own gain and aggressive policies demonstrates the importance of
these principles and how they resonate with people. There is undoubtedly
reason for hope when people feel that invoking the lion is the best
way to conceal and enable the witch.
We must not
let the witch get away with it, however. Good, freedom, natural
law, truth and peace – these concepts are the ones most mentioned
by those people who are the first to defy them in action. The important
question is whether you adopt and recognize them in deed. By looking
closely, we see that the war we read about in the papers every day
is not the work of the lion. It is the work of the witch.
Thanks to
David
Theroux for sharing his thoughts on this, some of which
I integrated with my own.
December
21, 2005
Anthony
Gregory [send him mail]
is a writer and musician who lives in Berkeley, California. He is
a research analyst at the Independent
Institute. See
his webpage for more
articles and personal information.
Copyright
© 2005 LewRockwell.com
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