Ryan Lizza's People Magazine Love Letter to Rahm Emanuel
by Glenn Greenwald
by
Glenn Greenwald
White
House Chief of Staff Rahm Emanuel who The
New York Times described as "arguably the second most powerful
man in the country" is certainly one of the most controversial
figures in Washington. Prior to joining the Obama administration, Emanuel
in the Clinton administration and then as a high-ranking
member in the House Democratic caucus was at the center
of countless political and personal controversies. Emanuel
has played the central role in much of the Blue Dog dominance in
the House and many (if not most) of the worst Democratic capitulations
to the Bush agenda. Even in the four weeks that he's
been in his current job, Emanuel has been the target of severe criticisms
of his management skills from many precincts for his role in the Judd
Gregg and Rod Blagojevich fiascoes and the Obama
administration's questionable negotiating tactics in the stimulus
package. Both Jane Hamsher
and Howie
Klein yesterday identified just some of the current and past
controversies that Emanuel has triggered.
Despite all of that, The New Yorker's Ryan Lizza
has written a very
lengthy profile of Emanuel almost 5,300 words
that is so reverent, one-sided, and glorifying that it is hard to
believe it wasn't written by Emanuel himself. In fact, much
of the piece consists of Emanuel praising himself and Lizza writing
it all down uncritically. It's almost impossible to walk on
the streets of Washington, DC, without bumping into a vehement critic
of Emanuel, but Lizza doesn't manage to include any comments from
any of them.
Instead like a writer from People Magazine wanting
to ensure continued access he confines himself to quoting
only Rahm's best-est friends: David
Axelrod ("one of Emanuel’s best friends"); Democratic
Rep. Chris Van Hollen ("a friend of Emanuel’s"); and Democratic
pollster Stan Greenberg ("an old friend" whose DC house Emanuel
lives in). Other than Lizza's inclusion of some light
mockery by Fidel Castro of Emanuel's name, those are the only
people who are allowed to speak about Emanuel in Lizza's piece (other
than Emanuel himself).
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