A Visit to Venice
by
Sean Corrigan
by Sean Corrigan
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As we began
the vaporetto journey across her lagoon, “La Serenissima”
– the Most Serene Republic – was coyly shrouding her splendours
in the thick sea fog she had drawn about her, frustrating the search
for the landmarks so familiar from a thousand cheap reproductions
of Canaletto’s work on postcards and placemats.
Disembarking
directly to the hotel foyer, our first order of business was to
pay a brief homage to the gravestone of the father of modern central
banking, John Law, who was re-interred in the adjacent Chiesa
di San Moise by a descendant who governed the city after its
capitulation to Bonaparte’s armies in 1797, a catastrophe which
finally extinguished the maritime oligarchy’s 1100 years of sovereignty.
Law – gambler,
duellist, womaniser, and monetary theorist – was that very Lucifer
of finance who briefly outshone all others when his attempts to
rescue France from the Sun King’s ruinous legacy flared into the
white heat of speculative excess and chicanery which became known
as the Mississippi Bubble.
Fleeing the
country in the wake of its implosion – and frustrated in his attempts
to persuade his former patron, the dissolute Duc d’Orleans, to recall
him when the hue and cry had subsided a little – Law died in Venice
in what some claim was relative penury: a necessary coda to this
classic tale of hubris and nemesis which is somewhat
spoiled by suggestions that he and his common-law spouse actually
set up home on the lagoon accompanied by the eighty-odd crates stuffed
full of valuable artworks which they had smuggled out before absconding.
In fact, Law’s
very modern story was to provide the hook for the brief address
which I gave at the private conference my company, Diapason, was
hosting in the city: a gathering held in order to celebrate the
firm’s three years in business as a leading independent asset manager,
dedicated wholly to commodities.
I could do
this because Law’s "System" had all the elements of the
storm we see around us today – starting with a debt-for-equity swap
into an IPO privatisation vehicle with an emerging market theme;
proceeding with the building of this enterprise into a "national
champion" conglomerate; ensuring its successful launch and
paving the way for secondary offerings with a manipulation of the
share price through clever financial engineering; and – of course
– unleashing a torrent of inflationary paper money and security
credit, Shanghai banking-style, with which to pay for it all.
But if today’s
ill-recognised inflation is one side of our contemporary investment
equation, the splendours of Venice remind us of the other, for these
were built upon the proceeds of what for long periods amounted to
her dominance of the flow of commodities, both from East to West
and from North to South.
Spices, silks
and silver, furs and fabrics all came under the influence of the
Republic – especially so when, in 1203, having craftily diverted
the chain-mailed hooligans of the Fourth Crusade into settling a
little private business on his behalf, the blind Doge Enrico Dandolo
took part in the Franks’ sack of the city state’s greatest commercial
and political rival, mighty Constantinople itself.
Basing her
trade on her naval might – and using that trade, in turn, to finance
her navy’s construction at what was then the largest industrial
complex in the world, the mighty dar-es-sina’ah, or Arsenal
– Venice’s three centuries of glory were not entirely a miracle
of the free market, just as the US economy today relies more than
it likes to admit upon McDonnell-Douglas rather than upon McDonald’s,
or upon the Sixth Fleet as well as upon Silicon Valley.
Yet, it has
to be granted that however great the role of armed might in exerting
her influence, Venice’s unique position was also due in no small
part to her aptitude for encouraging entrepreneurs – including those
housed in the ex-pat conclave we know as the Ghetto. From
this sprang her ability to accumulate capital and to re-employ it
fruitfully in order to finance both a further expansion of trade
and the acquisition of sources of production themselves.
Perhaps the
best example of the latter was the wealth generated by one of her
leading families when they married one of their daughters off to
James II of Cyprus in the 1470s.
Poor James
barely survived his nuptials (portraits of Queen Caterina show he
may not have been as unlucky as he seems!), while his posthumously-born
son expired shortly after Caterina was confirmed as regent, so it
comes as no surprise to discover that the rival Neapolitan faction
was soon spreading rumours that the cause of neither death was entirely
natural.
Whatever the
merits of the charge, as a result of astute diplomatic manoeuvring,
the Venetians were soon in undisputed command of the island and
Cyprus was transformed from being the last remaining Crusader state
(ruled by the heirs of The Kingdom of Heaven's boo-hiss baddie,
Guy de Lusignan) and became instead an economic colony of the Republic,
the site of the most important plantations, mills, and refineries
it devoted to production of that white gold of the Middle Ages –
sugar.
Though some
dictionaries provide a more prosaic and much later etymology, Fernand
Braudel suggests that the effective sugar monopoly which resulted
was so lucrative that the Queen’s relations, the Cornaro, or Cornero,
clan, gave rise to our modern expression "to corner the market."
In a setting
where every winding alleyway and each of the profusion of footbridges
we walked simply oozed a living history, it was hard not to succumb
to the obvious metaphor and think of ourselves, at Diapason, as
latter-day Merchants of Venice, and to hope that, like Antonio,
our "ventures are not in one bottom trusted, nor to one
place, nor is [our] whole estate upon the fortune of this present
year.”
With that,
the water taxi arrived to ferry us back to our waiting flight to
the mundane world of city streets and traffic jams, leaving Venice
floating impassively on her shining sea of memory, gently serenaded
by the sublime Adagio emanating from the ghostly strings
of Albinoni’s smiling shade.
February
26, 2007
Sean
Corrigan [send him mail]
writes from Switzerland.
Copyright
© 2007 LewRockwell.com
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