Watched Skyfall tonight. A well-made and entertaining film. Old fogies like me will appreciate the retro Bond touches. But it's hard to be a libertarian and fully enjoy these sorts of movies, especially in today's political climate. The surveillance / national security state is glorified every day in the mainstream press; do we need it from Hollywood as well? Of course, in the film, Bond's MI6 uses its cameras and supercomputers and technical genius to spy on bad guys, unlike the real MI5, MI6, FBI, NSA, and CIA which use this stuff to spy on you and me. (I much prefer the way the CIA is portrayed in the Bourne films, as a lawless predator using shadowy "assets" to carry out its extrajudicial executions.)
The film opens with an exciting car, motorcycle, and train chase set in and around Istanbul. But I couldn't help noticing the wanton destruction of person and property carried about by Bond and his agent-partner, smashing cars, shops, and market stalls belonging to innocent bystanders, even using a piece of construction equipment to crush cars and rip a train car in half, all to recover a stolen computer hard drive containing the identities of NATO spies. Hey, what's the life and property of a few random Turks compared to protecting Western spooks?
And, as is usual in Hollywood portrayals, MI6 is coordinating this melee from its headquarters in London, with nary a Turkish official in sight. (We see this too in the Bourne films, where the CIA can apparently control all the CCTV cameras in London with a few mouse clicks.) Perhaps the most egregious example I can remember appears in Fantastic Four: The Rise of the Silver Surfer, where US special forces are seen operating at will in Germany, using tanks and helicopters and futuristic weaponry to capture the titular bad guy in a Bavarian forest before taking him to their secret, onsite base. You'd think that some German military or civilian officials would be at the scene, granting permission for Americans to blow stuff up on German soil, but I suppose this would have gone over the heads of the American audience.