W for
We Think Lack of Democracy Is the Problem
by
Jørn K. Baltzersen
by Jørn K. Baltzersen
Warning:
details of V for Vendetta are revealed below.
Yet if the
whole process happens in an "orderly fashion" these
excesses can be avoided. Men whose civilian valour finds its supreme
expression in pulling a lever behind a protective curtain will
not have the courage to rebel, and concentration camps (actually
a "healthy sign" because they denote resistance) will
not exist.
~
Erik von Kuehnelt-Leddihn, Liberty
or Equality
I finally got
around to seeing one of this spring’s great movies, V
for Vendetta, after having read the
graphic novel. I would recommend this for anyone skeptical of
government, regardless of whether one’s position is anarchist or
not. The modern omnipotent, omnipresent, and omniscient government
and its proponents would not like V for Vendetta, but that’s
a very good reason to go and see it.
I had been
warned about considerable differences between the graphic novel
and the movie, but the similarities were greater than these warnings
had given me an expectation of.
In the graphic
novel the parliamentary estate is what is first blown up. In the
novel it is clearly stated that the parliamentary estate has long
since been abandoned, and Parliament’s power is long gone. The loss
of parliamentary power and whether the estate had been abandoned
in the movie was not so clear to me. Moreover, V’s funeral at the
end, when he is sent with a tube train under Downing Street in the
novel, turns into a funeral under the Palace of Westminster in the
movie. Perhaps this suggests that Parliament is the problem, not
the executive office.
We see the
Palace of Westminster blow up. St. Stephen’s Tower – housing the
bell by the name of Big Ben – is no longer to be a landmark.
It is the "Mother of Parliaments" that is blasted off
the face of the Earth. It is the claimant to being mother of parliamentary
democracy all over the world that is being demolished. This is the
very Parliament, with its Glorious Revolution in 1688, that partly
served as model for the American Republic, which eventually turned
into a not so pretty democracy. It is the foremost symbol of democracy
in the world that is being demolished. The end of movie hence has
great positive symbolism.
However, I
would not second any blowing up of the Houses of Parliament. I know
people who have had and do have their work in that estate. And this
illustrates a significant part of the problem. It is not "they"
and "we." It is not "they" who rule "us."
It is all "we." There is basically no distinction between
the rulers and the ruled. The rulers and the ruled are basically
mixed in a mush.
As the movie
starts with the execution of Guido Fawkes, and V always walks around
in the novel and the movie with a Fawkes mask, we should look into
the question of whether the failed Gunpowder Plot is relevant today.
Americans generally
celebrate the Boston Tea Party, referred to in the movie, and the
following American War of Independence. These are obviously considered
to be legitimate acts. However, to overthrow the current American
federal government is generally not considered legitimate, nor is
overthrowing the British government of our time.
People have
a tendency to think that in pre-democratic times it must have been
in order to overthrow governments, because there was no channel
for peacefully replacing the government. However, in 1605 – the
year of the failed Gunpowder Plot – Parliament in England did not
meet regularly. Parliament was far from being the far-reaching body
it is today. Government was far from being of the reach and size
it is today. Yet, people tend to have sympathy for those who revolted
in pre-democratic times, but not for those who revolt in democratic
times. Nowadays, we are supposed to replace governments with our
votes. That tiny part that the individual has in the electorate
is supposed to protect him. Dare he who even suggests that this
protection is at best little more than no protection at all.
The Gunpowder
Plot took place in the midst of the heat between Catholicism and
Protestantism. A lot of the princes of Europe had taken Protestantism
to their hearts. There is little doubt that this was done to a large
extent to make the Church subject to the State. The princes wanted
to be their own "popes." Regardless of which confession
one considers to be right, such abuse must be considered to be a
grave misfortune.
The abuse of
faith in supporting oppression and the extension of the reach and
size of government is not only clearly expressed in the movie. It
also haunts us in real life to this day.
Ibsen’s Brand
is considered to be an attack on the Norwegian State Church of the
time. Christopher Bruun met with Ibsen before Brand
was published. Bruun is said to be a model of the character Brand.
He was openly a critic of the State-Church relationship. Bruun was
a priest in the Church of Norway in 1905. When Bruun refused to
take part in the Church being used as support of the parliamentary
usurpation of 1905, the police shut him off.
On Norway’s
Constitution Day, May 17, church services are held. Support of the
growth in parliamentary power can be heard in priests’ speeches
in churches on this day. Last year a priest gave a speech where
the "improvements" of the Constitution since its birth
in 1814 were praised. This year a priest gave a speech where he
talked about justice or equity. And this concept of justice or equity
was about those involved making decisions, and so this concept was
what won through with the Constitution, parliamentarism, and the
events of the union dissolution of 1905.
The graphic
novel is said to be an attack on the Thatcher regime, but it certainly
also mentions the following Labour Government’s catastrophic economic
policies. It has been claimed that the anti-gay part of the movie’s
Sutler regime is concerned with the concept of not letting gays
have their "marriages." Perhaps so. What is certain, however,
is that the graphic novel also portrays an anti-gay regime, and
hardly anyone had heard of gay "marriages" at the time
the novel was written. As for the ban on the Koran, from how things
are looking right now it seems more likely that the Bible will be
the banned – or at least the most frowned upon – book of the future.
Adam Sutler
is the "conservative" High Chancellor of the movie. Someone
suggested that you could not get closer to a name like "Adolf
Hitler." It seems he was appointed after an election. It is
made clear in the movie that he was appointed. In the graphic novel
the current regime has taken over after a vacuum period of no government.
Both the novel
and the movie have references to the monarchy, such as a painting
of the Queen, "Her Majesty’s Government," "the United
Kingdom." However, it is not clear whether the monarchy is
still there. What is striking, though, given that the monarchy is
intact, is that Adam Sutler is not stopped by the Sovereign. If
the monarch is not to intervene to prevent such a regime, one can
certainly wonder what the point would be with a monarchy.
Whenever there
is oppression, we tend to jump to the conclusion that lack of democracy
is the problem. Americans often look at foreign lack of liberty
and say "it cannot happen here." Britons act in a similar
way. After all, Great Britain has a long tradition with a stable
democracy, which has evolved steadily since the days of the English
Civil War and the Glorious Revolution. Some even draw the story
back to 1215 and the Magna Charta, demonstrating confusion of thought
as to the difference between asserting one’s rights facing the King
and transferring power from a monarch to a representative assembly.
For a lot of
Britons the problem with the European Union is that it is unaccountable
to British voters. Restore power to Westminster, and all will be
well, the theory goes. You can often hear from British EU skeptics
that the most important right is the right to vote. If only the
people have their right to vote and there is an opposition that
can debate issues, there will be near to paradise on Earth. Of course,
democracy contributes in preventing the unpopular. Some abuses may
be avoided through being unpopular, but it is often far from enough.
The tendencies
in democracies to allow more and more to be handled by the government
due to democratic legitimacy through elections and referenda is
overlooked or underrated at our peril. People who watch V for
Vendetta or read the novel could easily conclude that here democracy
is gone, and if democracy were not gone, or if it returned, the
oppressive regime would also be gone. I wouldn’t be too sure about
that. I wouldn’t be too sure.
Democratic
legitimacy does perhaps reduce government’s fear of their people
to such an extent that V’s motto becomes extra relevant:
People should
not be afraid of their governments. Governments should be afraid
of their people.
Most people
react to the regime in the movie V for Vendetta. Installing
such a regime tomorrow would not work well, fortunately. Most people
200 years ago would be frightened by today’s modern democracies.
They would never accept being subject to such regimes. This illustrates
the validity of what Edmund Burke said:
The true
danger is when liberty is nibbled away, for expedience, and by
parts.
It
is more likely that society will continue to evolve bit by bit with
less liberty. We already have elements found in V for Vendetta.
No concentration camps will be needed. In a sense it is frightening
that concentration camps are not needed to support the omnipotent
and omnipresent governments of today.
Jørn
K. Baltzersen [send him mail]
is a senior consultant of information technology in Oslo, Norway.
Copyright
© 2006 LewRockwell.com
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