Yesterday I had the privilege to watch Dirty Wars, an upcoming film directed by Richard Rowley that chronicles the investigations of journalist Jeremy Scahill into America’s global covert war under President Obama and specifically his ever-growing kill lists. I will write comprehensively about this film closer to the date when it and the book by the same name will be released. For now, it will suffice to say that the film is one of the most important I’ve seen in years: gripping and emotionally affecting in the extreme, with remarkable, news-breaking revelations even for those of us who have intensely followed these issues. The film won awards at Sundance and rave reviews in unlikely places such as Variety and the Hollywood Reporter. But for now, I want to focus on just one small aspect of what makes the film so crucial.
The most propagandistic aspect of the US War on Terror has been, and remains, that its victims are rendered invisible and voiceless. They are almost never named by newspapers. They and their surviving family members are virtually never heard from on television. The Bush and Obama DOJs have collaborated with federal judges to ensure that even those who everyone admits are completely innocent have no access to American courts and thus no means of having their stories heard or their rights vindicated. Radical secrecy theories and escalating attacks on whistleblowers push these victims further into the dark.
It is the ultimate tactic of Othering: concealing their humanity, enabling their dehumanization, by simply relegating them to nonexistence. As Ashleigh Banfield put it her 2003 speech denouncing US media coverage of the Iraq war just months before she was demoted and then fired by MSNBC: US media reports systematically exclude both the perspectives of “the other side” and the victims of American violence. Media outlets in predominantly Muslim countries certainly report on their plight, but US media outlets simply do not, which is one major reason for the disparity in worldviews between the two populations. They know what the US does in their part of the world, but Americans are kept deliberately ignorant of it.
What makes Dirty Wars so important is that it viscerally conveys the effects of US militarism on these invisible victims: by letting them speak for themselves. Scahill and his crew travel to the places most US journalists are unwilling or unable to go: to remote and dangerous provinces in Afghanistan, Yemen andSomalia, all to give voice to the victims of US aggression. We hear from the Afghans whose family members (including two pregnant women) were slaughtered by US Special Forces in 2010 in the Paktia Province, despite being part of the Afghan Police, only for NATO to outright lie and claim the women were already dead from “honor killings” by the time they arrived (lies uncritically repeated, of course, by leading US media outlets).
Scahill interviews the still-traumatized survivors of the US cruise missile and cluster bomb attack in Southern Yemen that killed 35 women and children just weeks after Obama was awarded the 2009 Nobel Peace Prize. We see the widespread anger in Yemen over the fact that the Yemeni journalist who first exposed US responsibility for that attack, Abdulelah Haider Shaye, was not only arrested by the US puppet regime but, as Scahill first reported, has been kept imprisoned to this very day at thedirect insistence of President Obama. We hear from the grandfather of 16-year-old American teenager Abdulrahman al-Awlaki (he is also the father of US cleric Anwar al-Awlaki) – both before and after a CIA drone killed his son and then (two weeks later) his teenaged grandson who everyone acknowledges had nothing to do with terrorism. We hear boastful tales of summary executions from US-funded-and-directed Somali warlords.
There is an unmistakable and singular message sent by these disparate groups and events. It’s one particularly worth thinking about with news reports this morning that two more Afghan children have been killed by a NATO air attack.